Review: Baloney Cake - Uncle Moondog

Baloney Cake (2005) is the second album from Uncle Moondog, the animated alter ego of California-based musician Mike McManus. Those of you hoping for the hard edge of another animated band, the Gorillaz, will be disappointed. Moondog is, er, a dog with a bunch of (mostly animal) friends with a vocal style that reminds me most of Wolfman Jack.

The album consists of a wide range of children's pop with a particular predilection for beach-related melodies and lyrics ("In Hawaii," "Surfin' School"). Now, I can't say I was super-enthused by the album. Some of that is because I didn't like the Moondog voice, which I realize is a personal choice -- others may think it's cool. Some of that is because I really didn't like "Baloney Cake," which is exactly about what the title says it's about and makes me a wee bit nauseous thinking about it. And one of Moondog's friends has a high-pitched electronic voice that drives me nuts.

What's good about the CD? Well, it's produced well, and when it stays away from cheesy kids' music touches (whah, whah, whah, WHAH) the songs have a certain appeal. The melodies are usually appealing. And McManus has a sly sense of humor. For example, in "Baloney Cake" he realizes that it is kind of a disgusting concept, and the song addresses that thought. (As does an aside in "Surfin' School.) And in "The Walrus Waltz," he not only rhymes "waltz" with "small-tz," he notes the silliness of doing so. (I'm also pretty sure that "Elvis" makes an appearance.) There's enough there that I'd like to see McManus give it a go without the Uncle Moondog alter ego -- I'd probably enjoy it more.

While I'm not a huge fan of the album, those who like Beach Boys-like melodies or want a coastal-themed album (and can handle people singing in a style different than a "normal" singing voice) may want to give it a shot. It's probably best for kids aged 3 through 6. It's available through his website. (Too bad there's nothing as catchy as the Gorillaz' "Feel Good Inc.")

Desert (Island) Disc(s)

I asked my daughter today if she had a favorite CD. "No!" she said. Not at all?... OK, I'm not going down that far-too-easy humorous path. Her favorite CD was "the No! CD," which I took to mean They Might Be Giants' version. She also likes the "ABCs" CD. Which, uh, as you know, is also a They Might Be Giants CD. I know she has no concept that the CDs are from the same band, but clearly the apple has not fallen far from this tree.

Of course, the concept of an "album" is also somewhat alien to her, as she tends to think in songs ("House At The Top Of The Tree," from No!, "Theme From Higglytown Heroes" from Here Come The ABCs, Raffi's "Who Built The Ark", "Rattlin' Bog," off Dan Zanes' Night Time!). And she'll probably grow up a "song" person, not an album person, given how easy it is to pick songs.

Me, I'm still an album person, and while I could probably tell you what my favorite album ever was (Matthew Sweet's Girlfriend), I couldn't tell you what it would be now. Too many to choose from. Plus I get hung up over picking one among bands with lots of albums I love (TMBG, Wilco), and so some other album (Golden Smog's Weird Tales, maybe) slides through. Kinda like actresses from the same movie cancelling each other out at the Oscars...

Review: The Corner Grocery Store - Raffi

I think with kids' artists there's no such thing as a sophomore slump. There are plenty of artists whose second albums were just as good, if not better, than their kids' debuts. But something happens on album #3 -- delusions of grandeur, perhaps, or just boredom with the formulas -- it's good, but not as good as album #s 1 and 2. Victims of the slump include Ralph's World, Laurie Berkner, and, well, Raffi.

Don't get me wrong, The Corner Grocery Store, Raffi's 1979 album, is pretty good. It has some nice renditions of some traditional songs, including "Frere Jacques" and a very simple but pretty "Swing Low Sweet Chariot." For the most part, the instrumentation consists of the fairly simple arrangements of piano, guitar, and occasional backing band found on his first two CDs.

But there's something missing overall. Perhaps it's the lack of a really good Raffi original, like "Peanut Butter Sandwich" or "Oh Me Oh My." Perhaps it's "Anansi," which jettisons all the simple arrangements for something approaching cheesy instrumentation. I don't know. It's hard for me to put a finger on, but the whole thing just isn't quite as appealing to me. Still, for those you thinking that covering Leadbelly or Huddie Ledbetter or Woody Guthrie on children's music albums is a newfound trend, Raffi did them all (Ledbetter twice) on this CD. (He does add lyrics to some of them, so perhaps it's not quite so adventurous.)

The album is best for children ages 2 through 6. I recommend the CD, though not as highly as Singable Songs For The Very Young or More Singable Songs. You can find the three CDs packaged together (slightly cheaper) as The Singable Songs Collection. Available at the usual suspects.

Whither Jamarama Live Reviews?

Clea's post on attending Jamarama over the weekend reminded me of something I wanted to do...

I've received a fair amount of website hits from people looking for Jamarama Live reviews. So I decided to see what I could find for myself. And the answer was clear: the reason I'm getting all these hits is because there really aren't any reviews out there.

So rather than rail on the mainstream media, I went to the real power, people! The BLOGS, man!

Jamarama Reviews Out The Wazoo(s) (West Coast Edition)

Small Ages: The good (Dan Zanes), the not-so-good (Milkshake), and the ugly (the Ohmies) (this past weekend...)
Buzzville: See above. Also, apparently Dan signs T-shirts! (Santa Barbara)
Winters on the web: "It was sweet and treacly and nauseating. 70 minutes of my life I will never get back but worth it to see my son happy!" So at least we know it's 70 minutes long. (Santa Barbara)
Gavin: All you ever wanted to know about sound for the show. And it wasn't that crowded. (Long Beach)

This Is An Imaginary Post

So last night, my nighttime reading with my daughter included Kevin Henkes' Jessica, which revolves around a kindergartner's imaginary friend.

And this morning, I heard a track off of Justin Roberts' Meltdown! called "Our Imaginary Rhino," which revolves around a youngster's (perhaps in kindergarten, perhaps not) imaginary rhino, natch. It's a catchy power-pop song with a few "na-na-nas" to make for enjoyable singalong action.

You'll be able to listen to samples of every song at Amazon next week when the album is released; for now go here to listen to samples of a half-dozen songs plus a full version of "My Brother Did It," another pleasing power-pop song.

(Truth be told, I prefer Henkes' books about mice to his books about, gasp, real people. Lilly's Purple Plastic Purse is note-perfect, if books can indeed be note-perfect.)

Links: Step Up To The Sidebar

As you can tell during your daily visits to this fine website (and you are visiting daily, right?), the sidebar is under more construction than Central Avenue during light rail construction. (Sorry for the local Phoenix reference, y'all.)

Slowly but surely, I've been adding review and artist links to the sidebar, with more (links and reviews) coming daily. I've also been adding other links of note.

I started this blog 18 months or more ago because there wasn't much on the Internet on children's music. That's changed somewhat -- it's still hit-and-miss, but that's better than miss-and-miss. While there are more links coming, I did want to point out three recent additions of relatively new blogs:

• Head, Knees, Shoulders, and all that... is a blog written by Devon, a teacher of music to young kids in Japan. His blog has a bit of pedagogical bent, but never to the point of dullness or incomprehension. He has also helped record a children's music CD, which gives him an(other) interesting perspective.
• (Sm)all Ages is written by Clea, novelist (among other things), who imparts an indie-music perspective on kids' music. My favorite parts of the blog (despite her impeccable indie-music taste) are her occasional thematic lists of songs -- click here if you're a hand-clappin' fan.
• The Lovely Mrs. Davis Tells You What To Think is written by, er, the Lovely Mrs. Davis, natch. She covers a wide range of kiddie media on her blog. And although as a parent, she should know that just because you ask politely doesn't always mean you get what you want, in this case, yes, you may add me to your blogroll -- thanks for asking.

More links (and reviews, and news, and views, and -- I'm not promising anything, folks -- ramblings) will follow in the coming days. As always, thanks for reading.

Review: The Great Green Squishy Mean Concert CD - Monty Harper

"Don't judge a book by its cover," goes an adage I tend to ignore when it comes to CDs. The aura of competence regarding album covers and inserts is often an indication of the competence of the music and production itself, particularly in children's music.

So this CD, with its cover picture a giant mouth that brings nothing to mind more than, "Let There Be Lips!" (that's a Rocky Horror Picture Show reference there, folks), worried me.

Thankfully, in this case, the old adage is actually true. Monty Harper's 2005 album, The Great Green Squishy Mean Concert CD, is a fun and occasionally funny album. (It certainly exceeded my cover-based expectations.) For his fourth CD, the Oklahoma-based Harper recorded three concerts with his "Thrice Upon a Time Band" in front audiences of kids and parents. The concept brings a couple strengths to the CD: 1) the full band (guitars, bass, drums) sounds really good, and 2) the audience participation songs have an audience to participate. Both make the CD very lively.

Harper writes straight-ahead rock (think "classic rock") tunes with a sense of humor and an occasional tendency toward "educational" lyrics. My favorite songs on the CD are the two songs leading off the album, "Loose Tooth," a cute pop-rocker about, er, a loose tooth, and "The Great Green Squishy Mean Bibliovore," with crunchy guitars (and lead character). While I tend to prefer his more story-based songs (like the two above), his "educational" songs aren't bad either -- young kids will probably eat up (pun mostly intended) "You're a Dinosaur," which introduces a whole bunch of dinosaurs in song. (It's one of 5 reptile/dinosaur songs on the CD, so if that's your child's thing, definitely check it out. I'm pretty sure it's the only album in the world with two songs about horned toads.)

The CD also comes with some CD-ROM bonuses -- I did like the two healthy-eating-based songs, "I Go Bananas," and "Gimme Vegetables," the latter of which had a very '80s synth-pop texture wholly unlike the concert itself. (Both are fun -- if Harper ever releases a B-sides/rarities disk, these seem like perfect candidates. Because I don't think I'm ever actually going to listen to the CD at the computer....)

I'd recommend the CD for kids aged 4 through 9. You can find it through the usual suspects (artist's website, CDBaby, Amazon, with samples available at the latter two). If you're looking for a CD of rockin' kids songs, check it out.

News: Other Releases, Releases-To-Be

I hear you saying, "You and your "news." You're all Justin Roberts Meltdown this, and Laurie Berkner Starbucks that! How 'bout mixing it up for a change?"

And you're right, I have neglected other artist news recently. My bad. So here you go, three (mostly) fresh tidbits of info for ya...

1. Brady Rymer's 4th album has been out for a month now. Every Day Is A Birthday was released on February 10, 2006 and in addition to the regular songs, the album also includes what is intriguingly referred to as a "collection of brain-teasing, creative musical activities at the end of the album." Sounds like it'd be not-so-hot shuffled on an iPod, but kinda cool with the kids. (Also, Rymer's website is really cool.)

2. Eric Herman is preparing his 3rd album Snow Day for a late spring/early summer 2006 release. Go to the link above for info on pre-orders. His site also has some computer games, which I hear are all the rage these days.

3. Finally, Monty Harper also has an album coming out this summer -- Paws, Claws, Scales & Tales will have songs revolving "around the themes of pets and reading." Though lyrics are available, I think I'd rather be surprised to see how many songs deal with reading pets.

So there you go.

So You Want To Submit An Album For Review?

(Last updated May 23, 2006 -- updates in italics)

In between whimsically and/or sarcastically rewriting press releases from children's music artists, I also review albums in a mostly eager manner. You might wonder how, as an international superagent, I find the time to review these CDs -- OK, I'm not really an international superagent, but I am a father of two, and international superagents have nothing on parents -- and the answer is, I'm not sure. I just know that I like listening to good kids' music and telling others about it.

I have already received a few albums from artists seeking a review from this site, and I figure it's time for me to actually outline the Official Zooglobble Album Review Policy. (This was pre-NPR -- strike "a few," insert "lots and lots of".) I'm going to call it "OZARP" just so I can do web searches for "OZARP" in a few days and see what turns up.

There are just two rules in the OZARP, though I've added some additional guidance.

#1 -- All albums submitted for review shall include complete artwork and an ISBN (barcode).

Basically, I want to review the CD as the actual end user will receive it, and with proof that somebody out there could conceivably buy it. So please, no CD-Rs, no CDs without the case and any inserts.

Two modifications based on a whole bunch of experience now...
1. CD-Rs sold at CDBaby are A-OK. I understand better now some of the economics of producing a CD and understand that some people may not have the upfront cash to do a fancy pressing. Like I said, if it's sold through CDBaby, it's fine by me.
2. Advance promotional copies (CD-R or otherwise) of albums yet-to-be-released are also OK. I like receiving lyrics/liner notes along with the promo CD, too, though that can be electronically. And I still prefer to see the finished product (even if I've already received the promo copy) -- I do find the physical product to be important to how the end user interacts with the music.

Beyond that, I would encourage artists who are considering submitting their album(s) for review consider the preferences, attitudes, and biases already reflected in the ever-increasing list of reviews on the site. I've never made any pretense to be a music educator trying to find the "perfect" or most developmentally appropriate CD for a child -- I'm a parent with two young kids (though, as They Might Be Giants would note, every moment they're getting older) and I love music. And while I don't entirely disagree with Barney Gumble's approach to life ("I'm not a picky man, Homer. Braaaaaah."), there are going to be certain CDs I probably won't like.

Additional promotional materials are not required with the CD, though I'll look at whatever else you send. It almost goes without saying these days, but a website link is especially helpful. If it's a yet-to-be-released album, a scheduled release date is also helpful.

#2 -- Quotations of two sentences or less on artists' websites or other promotional materials or by other websites/magazines do not require permission from the site owner. Quotations longer than two sentences, or any quotations attached to products actually sold to others, require express permission from the site owner.

OK, I realize the very last part of #2 is not common, but I know that artists will quote reviews on websites, promotional materials, and even on CD wrappers/covers. I'm just covering myself in the event that somebody wants to quote me on the latter. I'm not expecting a lot of letters from that provision.

Other than that, I'll try to notify you shortly before or after I post a review of an album you've submitted. We always appreciate links to the review or the website generally, but no links are required.

Please don't ask me when a review of the album you submitted will be up -- I'm a busy, busy man. The order in which I review CDs on the site is a complicated and patented algorithm that involves how much I like the CD, how long it's been since I last reviewed an album of yours, and whether you employed a penny whistle on your CD -- in other words, it all depends. Rest assured that if I really like your CD, I'll want to tell people about it sooner rather than later, "sooner" and "later" being relative terms around here.

If you do e-mail me asking about the status of a CD review (e.g., because you want to make sure I actually received the CD(s), and I totally understand that), you'll probably get a pleasant e-mail saying I haven't made up my mind yet, regardless of whether I've got a pretty good idea that I'm reviewing it next week or never. Rest assured, however, that I do, as promised, listen to every CD I get multiple times before I decide whether to review it. I know you've put a lot of effort into producing it, and I respect that.

So that's it. Pretty simple, I think. If you are a children's music artist, PR person, or assorted hanger-on, and you're interested, use that link in the upper-right-hand corner to drop me a line and we'll go on from there.

Review: Alphabet Songs Vol. II (Ivan Idea) - Steve Weeks

This review really revs up when the reader reconsiders her readily held notions regarding the realism referred to in this record...

OK, I admit it, it's hard to write (or "rite," to continue the motif) reviews by focusing on a single letter. And so it begs the question, why would an artist set up such an obstacle?

For that very reason, I had some trepidation upon my initial spin of Steve Weeks' 2004 album Alphabet Songs Vol. II (Ivan Idea). Each of the nine songs focuses on a single letter, I through Q, and I feared lyrics stretched beyond anything remotely resembling (stop it!) enjoyment. Luckily, the CD passes the enjoyment test with flying colors. The lyrics themselves focus on a single letter, but generally not in a way to call attention to them. (Only if you're listening closely will you notice all the words starting with the appropriate letter.)

On the CD's best songs, the letters seem almost secondary. "Kiki Kangaroo" is a bouncy song about a kangaroo with a mind of its own, "Look, Look!" a midtempo rocker about noticing what's all around, and, my favorite, "Monkeys" is an amusing, laid-back track about, well, monkeys. (The song, which includes a completely gratuitous "Sound of Music" reference, has a very Jack Johnson-like vibe, which is a little ironic given Johnson's work on the Curious George soundtrack.) Some songs tend to show the effort of focusing on a single letter a little more (see letters "N" and "Q"), but there isn't a weak track on the album.

The album is nicely produced -- fun acoustic guitar work, with some funky percussion tracks and even an occasional banjo. The songs are mostly gently uptempo folk-inflected rock. To put the album in adult terms, I'd describe it as Barenaked Ladies meets Phish. (Weeks' voice even reminds me of one of the Ladies' singers.)

I'd recommend the album for children aged 5 through 9. It's a fun album (or, to end the motif, "really rockin'") and would probably work in a school setting (though it'd work outside of such a setting, too). You can get the album through the usual online retailing suspects and through Weeks' website.

News: Yet Another Children's Compilation Record

Definitely not "For the Kids Three!"

Paper Bag Records announced its new compilation of music for kids, "See You on the Moon," with a list that (for the most part) only an indie hipster could love. Let's face it, when a member from Low (Alan Sparhawk) is the fourth-most recognizable name on the list (after -- and there goes my indie cred -- Sufjan Stevens, Broken Social Scene, and Mark Kozelek), this isn't exactly KidzBop 9 we're talking about. It will be interesting to see whether any of these tracks actually speak to kids.

The CD is released March 21, 2006.

Here's the tracklist, for those of you obsessed with that sort of stuff.

01. Alan Sparhawk - Be Nice to People With Lice
02. Great Lake Swimmers - See You On The Moon!
03. Sufjan Stevens - The Friendly Beasts
04. Montag - Kiddo 1
05. Apostle of Hustle feat. The Husky's - 24 Robbers
06. Junior Boys - Max
07. Broken Social Scene - Puff The Magic Dragon
08. FemBots - Under The Bed
09. Montag - Kiddo 3
10. Glissandro 70 - Voices are Your Best Friend
11. Mark Kozelek - Leo and Luna
12. Detective Kalita - Baby Brother
13. Montag - Kiddo 2
14. Hot Chip - I Can't Wake Up
15. Kid Koala feat. Lederhosen Lucil - Fruit Belt
16. Montag - Bonne Nuit Etienne
17. Rosie Thomas - Faith's Silver Elephant

Thanks to Stereogum for the heads-up.

News: Laurie Berkner Band on Today Show this Friday

Laurie Berkner's e-mail list informs us that "Laurie Berkner, Susie Lampert and Adam Bernstein will be closing the show [March 10's Today Show] by playing a selection from the band’s new DVD."

This indeed is great news! I've been waiting to hear Adam Bernstein for the longest time!

(What? He's not even the regular band member? Brian Mueller is? And it's Laurie Berkner I should be excited about. Oh. Yeah. You're right.)

Review: Rocket Ship Beach - Dan Zanes and Friends

Rocket Ship Beach was the first Dan Zanes album I ever heard. This was maybe 4 years ago or so. I liked it, but it didn't quite grab me at the time the way his 3 subsequent albums did. In going back to the album for the purposes of this review, I tried to figure out why.

Let's start out with the stuff I liked then, and still do. You wouldn't think that "Bushel and a Peck" from the Broadway musical "Guys and Dolls" would be a great fit for a chorus of elementary school children (whom I generally dislike hearing on record), but they sound great in the song. It's 180 degrees different from the Olive Oyl-stylings of Faith Prince in the Broadway revival from a few years ago, but lots of fun. My other favorite track on the record is Suzanne Vega's take on the "Erie Canal," which is... well, I don't want to say "eerie" (that would be too easy), but Vega's voice and Zanes' lap steel guitar blend together in a wonderful duet.

The rest of the album is... maybe it's just too folk- and bluegrass-based for an entire album for my tastes. Yes, Father Goose and the Sandy Girls make their appearances, as does Barbara Brousal, but the overall feel of the album is definitely more "folk festival" than the other Zanes and Friends CDs. Maybe part of that is that there's only one Zanes original ("Hello," on which Brousal duets). In any case, the album is less diverse musically (if no less technically and musically accomplished).

Don't get me wrong, I like the CD and I'm glad to have it in my collection, but I guess unless you're a big folk music fan, I would recommend one of Zanes' other CDs (probably "House Party") as an introduction to his stuff. The CD is best for kids ages 3 through 7 or 8, though like all of Zanes' work, it's definitely appropriate for people of all ages. Zanes' music is available in most stores with a children's music section. Recommended.

News: New Dan Zanes CD Coming This May

Dan Zanes has, without a doubt, the best kids' music e-mail newsletter going.

Or, at least, it's the fanciest-schmanciest.

Occasionally it even includes bits of news worth passing along. His e-mail earlier this week includes this note from Zanes (or his e.e. cummings-obsessed PR-person/webmaster):

"the new dz and friends family cd is finished! it's called catch that train! it will be released in mid may. in addition to that old gang of mine which includes: father goose, barbara, cynthia, colin, yoshi, wunmi, and the rubi theater company, there are guest appearances by: the blind boys of alabama, nick cave, the children of agape, the kronos quartet, and natalie merchant."

So there you go. Nick Cave doesn't really strike me as a children's music artist, but neither Philip Glass, and that turned out wonderfully on House Party, so what do I know?

Review: Bottle of Sunshine - Milkshake

Children's artists can walk a fine line between sweet and sappy. Childhood is full of wonder, and trying to convey that can lead musicians into mushy-headedness.

For the most part, Milkshake avoids the Head of Mushy on their second album, Bottle of Sunshine. Milkshake, a duo from Baltimore, has two strong assets -- the sweet vocals of Lisa Mathews and the melodic and occasionally crunchy guitars of Mikel Gehl. Backed by a full band, Bottle contains a broad variety of children's pop, uptempo and down-, that does a good job of showcasing those assets.

The best songs on the album are the ones that stay away from mushiness. "Woo-woo" is a fun pop song leavened with humor about playing underwater ("If you find lost treasure on the ocean floor / please bring it back up to me.") "Boom Boom" is a country-tinged tune about dancing. And while "Book of Dreams" is a sweet pop song, elegantly produced, "Sleepytown" is a simple album-closer. (Is there some sort of union rule requiring closing a kids' music album with a slow, sleep-related song? Just wondering out loud here.)

As someone whose tolerance for mushy is perhaps lower than many, some tunes don't work as well for me. While I liked "Book of Dreams," "One Wish" reached too hard for the sense of wonder for my tastes and was fairly bland. And while I'm not against namechecking one's own band in song, which Milkshake does twice here, it has to be really catchy (paging Morningwood to the review, paging Morningwood to the review), which isn't quite the case here. (Still, I could see those two songs being fun for preschoolers in concert.)

The album is best for kids age 3 through 7. It's available at the usual online suspects. While I recommend the album, if you like me have a low tolerance for mushy, you may want to listen to some samples online before committing to the CD.

News: Jamarama Live! Sets Western Tour, Ignores Fifth-Largest City in America

One of my favorite scene in the classic mockumentary This Is Spinal Tap is when the tour manager of the band Spinal Tap tells them that their Boston gig has been cancelled, but tries to soften the blow, telling them, "Don't worry, it's not a big college town."

I bring this up because in looking at Jamarama's western and southwestern swing in March and April 2006, there's one city that, uh, seems to have been overlooked.

Saturday, March 4 Santa Barbara, CA Arlington Theater
Sunday, March 5 Long Beach, CA Terrace Theatre
Saturday, March 11 Marin, CA Marin Center
Sunday, March 12 San Diego, CA Spreckels Theatre
Saturday, March 25 Las Vegas, NV Aladdin Resort & Casino
Sunday, March 26 Fresno, CA William Saroyan Theatre
Saturday, April 1 Salt Lake City, UT Ford Theatre
Sunday, Apri 2 Denver, CO Paramount Theatre
Saturday, April 8 Dallas, TX Nokia Theatre
Sunday, April 9 Houston, TX Verizon Wireless Theater

No offense to the fine folks of Fresno, but where in the name of Raffi is Phoenix on this list? We're not all senior citizens, golfers, and cacti, you know. Kids. Lots of kids. Swarming with kids. And a population bigger than any of those cities listed above (OK, the LA area deserves its shows, no quibbling there).

Sigh. I'm especially disappointed because Dan Zanes is taking over from Laurie Berkner as the headliner on this swing (with the Ohmies filling in on some dates). Would really liked to have seen him...

News: 2005 Grammy Winners Picked, Nobody Notices

Well, in news that I must admit didn't surprise me terribly, Grammy voters picked two relatively well-known names within two relatively unknown categories this week for the 2005 Grammys.

For Best Musical Album For Children, the Grammy went to Songs From The Neighborhood - The Music Of Mister Rogers - Various Artists (Dennis Scott, producer) [Memory Lane Syndications, Inc.]. For Best Spoken Word Album For Children, the Grammy went to Marlo Thomas & Friends: Thanks & Giving All Year Long - Various Artists (Christopher Cerf & Marlo Thomas, producers) [Warner Strategic Marketing].

And to the satisfaction of one anonymous and snarky Zooglobble commenter below I'm sure, Ralph's World did not win.

News: Laurie Berkner's New DVD and Coffee

I got an e-mail from Laurie Berkner the other day. Well, technically speaking, it probably came from her webmaster and not from Laurie herself, but still. It said that the new Laurie Berkner DVD, We Are the Laurie Berkner Band, would be released on February 14 and come packaged with a 5-song bonus CD (4 songs previously released). And that would have pretty much been the extent of this post, except that I found the following article from Billboard, via the Arizona Repubic.

In the article, we find out that...
1) Starbucks is co-releasing the DVD through its Hear Music division.
2) It'll be available at Starbucks stores.
3) Berkner's albums have sold a total of 359,000 copies.
4) The DVD will feature a song called "Mocha Mocha Grande Latte."

(OK, I was kidding on that last point.)

Review: All Through the Night - Mae Robertson and Don Jackson

Ah... the traditional lullabies. "Twinkle, Twinkle, Little Star." "All Through the Night." Elvis.

Elvis? As in Presley?

I admit, I would not have expected Elvis Presley to be tops on my list of good lullaby artists. But Mae Robertson's and Don Jackson's album All Through The Night: Lullabies and Love Songs includes not just one but two songs made famous by Mr. Swivel-Hips himself. And those songs -- "Can't Help Falling in Love" and "Love Me Tender" (co-written by Elvis) -- fit in wonderfully with this beautifully chosen and sung collection. Though not written specifically for a parent-child relationship, their placement in this collection shifts your perspective on the lyrics -- they really can be lullabies.

One of the advantages of the 15-song collection is that with the exception of the songs I've already mentioned above and "The Water is Wide," I was completely unfamiliar with the songs. Since the same dozen or so lullabies end up making it onto any lullaby CD, this variety is a good thing. Besides Elvis, Robertson also covers Van Morrison and poet Robert Burns on this CD. (Of course, on later CDs she covers Joni Mitchell and the Talking Heads, so this isn't just a one-CD fad.)

The songs are treated in a gentle folk style, guitar and occasionally piano and other folk instruments (Celtic harp, dobro). Over an entire album, the songs begin to blend together, but with a lullaby CD, that's as much to its credit as its detriment. And Robertson, with a beautiful voice, knows how not to oversell her songs.

I stumbled across this CD when I was desperate for a change from traditional lullaby CDs (even good ones) with our first child. This may have been the one I used to accompany late-night feedings more than any other. It's available at Amazon.com and Robertson's own website. Like any lullaby CD, it's most appropriate for kids aged 0-2, but your kindergartners may still want to listen at night. Highly recommended.

News: Justin Roberts To Release Meltdown!, Two More Albums

It's not that I'm so excited about the new Justin Roberts record, but his new CD Meltdown! does include the exclamation point at the end of the title. Judging by the search engine results that bring people to this website, there's definitely some interest in finding out more about the CD. Well, the CD now has a March 21, 2006 release date, album cover art, and track listing. (See the cover art and track listing here.)

Another interesting thing you can find out by going to the above link is that Roberts has released another couple albums with his musical partner Liam Davis. Why Not Sea Monsters: Songs from the Hebrew Scriptures and Why Not Sea Monsters: Songs from the New Testament are the albums -- the titles seem fairly explanatory. (My favorite song title from the two CDs? "Nothing Much in Tarshish.") Although part of the website indicates the CDs were released in December 2005, the individual album pages don't actually allow you to, er, order the CDs, so perhaps that's jumping the gun a bit.

In any case, Justin Roberts fans (and I'm one of them) will have a lot of Roberts music to choose from in 2006.

News: 2005 Grammy Nominations -- Children's Field

In the "better late than never" category (the nominations are, what, a month old now?), here are the nominees for the two categories in the Grammy's children's field:

Category 75 - Best Musical Album For Children
(For albums consisting of predominantly music or song vs. spoken word.)

Be Bop Your Best! - Red Grammer [Red Note Records]
Green Gorilla, Monster & Me - Ralph's World [Mini Fresh/Minty Fresh]
Scat Like That: A Musical Word Odyssey - Cathy Fink & Marcy Marxer [Rounder Records Corp.]
Some Assembly Required - Tom Chapin [Razor & Tie]
Songs From The Neighborhood - The Music Of Mister Rogers - Various Artists (Dennis Scott, producer) [Memory Lane Syndications, Inc.]

Category 76 - Best Spoken Word Album For Children
(For albums consisting of predominantly spoken word vs. music or song.)

Harry Potter And The Half-blood Prince - Jim Dale [Listening Library]
Marlo Thomas & Friends: Thanks & Giving All Year Long - Various Artists (Christopher Cerf & Marlo Thomas, producers) [Warner Strategic Marketing]
Pooh's Heffalump - Roy Dotrice [Walt Disney Records]
Raymie, Dickie, And The Bean: Why I Love And Hate My Brothers - Ray Romano [Simon & Schuster Books For Young Readers]
A Series Of Unfortunate Events: The Bad Beginning - Various Artists (David Rapkin, producer) [Harper Children's Audio]

An appearance by Ralph's World at the Grammy telecast on February 8, 2006 seems highly unlikely. Perhaps Ricky Skaggs (a performer on the Mister Rogers tribute album) will make an appearance, but that will likely be the extent to which nominees in this category will be seen.

Review: Lullabies: A Songbook Companion - Baird, et a

Most lullaby CDs are a little bit painful for the parents to listen to. Cheesy instrumentation and American Idol-style over-emoting. Not to mention the same ten songs on each CD. There's only so many ways you can sing "All the Pretty Little Horses." (Or at least there are only so many ways I've heard.)

Thankfully the purpose of most lullaby CDs is such that we parents will not listen to them. But there are times, especially early on in a baby's life, when a little lullaby background music is nice for nursings or bottle-feedings.

So the collection from New York City's Metropolitan Museum of Art entitled Lullabies: A Songbook Companion came as a welcome relief from the other poor lullaby CDs I avidly bought before our first child's arrival. The album is a family affair -- parents Richard Kapp (piano) and Madeline Kapp (vocals) and daughters Julianne Baird (vocals) and Mela Tenenbaum (violin and viola). So you have classically-trained musicians playing real instruments and knowing when that over-emoting goes so far. (It's on here, but it's kept mostly in check.)

And when you have 35 tracks on the CD, clearly there will be a few tracks that will be new to you. The selection reaches across the globe ("Fais Dodo," "Suo Gan") and includes some classical instrumental tracks (such as Schumann's "Traumerei") that may very well be the most relaxing and sleep-inducing on the album.

The CD is available either on its own or accompanying a book with assorted child-related art from the Museum's collection and the sheet music. The book also gives the briefest of backgrounds on each song; such descriptions are omitted from the CD's liner notes. Both are available through the Museum itself or online retailers. If you're looking for a lullaby-related gift for parents-to-be, you need look no further than this CD. They may even be listening to it themselves long after their little one is sleeping through the night.

Review: Philadelphia Chickens - Sandra Boynton

It's funny what people remember from their youth. Meals at their grandparents, trips to Disneyland, their first kiss. One of my memories is of a white coffee mug with a cow with a befuddled expression standing on his (or her -- my memory isn't that good, nor was the drawing that detailed) hind legs on a patch of grass somewhere. On the other side, the text -- "For someone outstanding in their field"

Still gets me everytime.

The creator of that silly mug was illustrator and author Sandra Boynton, who besides countless children's books now has three albums of kid-friendly music to her credit.

Her second album, Philadelphia Chickens, was created with her musical collaborator Michael Ford in 2002. Unsurprisingly, given Boynton's talent for anthropomorphizing animals, many of the songs revolve around animals. Some of the songs do so very clearly, such as "Please, Can I Keep It?," an amusing story-song about a ravenous stray pet. Others focus more on their owners, such as the slightly funky "Fifteen Animals." And some have nothing to do with animals at all-- "BusyBusyBusy."

In the liner notes to the CD, Boynton mentions that the music came about as a result of her desire to make something a "little more nuanced" than the recordings of perky children's music her children were once given. She wanted to "create an album that would somewhat parallel the soundtrack that ran beneath [her] own childhood," including "Broadway show tunes." Some of the best songs on the album would be perfect in a Broadway review -- "Faraway Cookies" is a note-perfect song about longing. Longing about cookies, yes, but the emotion is surprisingly universal.

Another sign that Boynton was really trying to create a Broadway review is the list of performers -- they're much more familiar to fans of the stage and screen than to readers of Billboard. Meryl Streep, Laura Linney, Kevin Kline, even Scott Bakula -- they were recruited to sell the songs. Their voices are pretty good, but the songs are better than you would expect.

There's a wide variety of musical styles on the album, but you do have to have a tolerance for show tunes and moderate tempos. Kids aged 4 to 8 would probably appreciate this CD the most. You can either buy the CD separately or with an accompanying book with goofy Boynton drawings and sheet music that is just a bit too advanced for my rudimentary piano skills. The album is recommended, especially if you're looking for a change from your children's-oriented folk or rock music.

Oh, and if you want to know the source of this blog's name, check out "Nobody Understands Me." It's not just the mug that stuck with me.

Review: More Singable Songs - Raffi

It is waaaay too easy to dismiss Raffi as the purveyor of bad children's music based purely on reputation.

That is, if you've never actually heard his early work. His first album, Singable Songs For The Very Young, is a landmark of the children's genre, a genre that arguably didn't exist in any meaningful way until Raffi came along. And his second album, More Singable Songs, while not earning any awards for album-title creativity, is no less vital.

The album title doesn't promise much variation from the first album, and the music bears that out, but in a good way. Raffi blends traditional kids' favorites ("Comin' Down the Chimney," "Six Little Ducks") with folk standards ("Workin' On the Railroad," "New River Train") and originals ("Shake My Sillies Out," "If I Had a Dinosaur"). There are very few "messages" in the songs, and even those are slid in ("Oh Me Oh My," which at the very end becomes as articulate an argument for self-sufficient singing as anything Dan Zanes has recorded). The instrumentation is generally simple, but bringing in, when the need arises, a tuba, say, or pedal steel guitar played by Daniel Lanois (or "Dan," as he was known in his pre-U2 and Emmylou Harris days).

The comments from my review of the first album apply here, too -- best for kids aged 2-6 and too short at less than 30 minutes. (I keep thinking that Rounder could make a lot of money by combining these two CDs into one CD and adding some bonus tracks for the completists. If there are Raffi completists, the notion of which strikes me as very odd.) This is another children's music classic. Available at the usual suspects online and off-.

News: Justin Roberts Preparing Early 2006 Release

There was a nice little article in Friday's Chicago Tribune on Justin Roberts' approach to preparing for a concert. Since he often sings in the morning, he "relies heavily on caffeine, starting his morning with a bowl of cereal with soy milk and several shots of espresso," a pre-concert routine that is, I suspect, not that of a typical rocker's.

The article notes that he's currently recording songs for his next album, Meltdown!, for an early 2006 release.

Review: The Kid in the Mirror - Eric Herman and the Invisible Band

Unlike pop music, children's music is most definitely not a singles-driven genre. So while the advent of iTunes has been a blessing for those of us who might otherwise buy an entire Chumbawumba album just to get a copy of "Tubthumping," children's music CDs are much more even.

So it's hard to discuss Eric Herman's first album for kids, The Kid in the Mirror, without spending most of the review talking about the single best song on the album, which outshadows the rest of the CD. "The Elephant Song" is a simple song, singing about many different animals in a way which amuses adults and is likely to generate squeals of laughter from kids singing along. I'm trying not to say much about the song because I don't want to ruin the surprise of the song's central conceit, but it's one of the few non-traditional kids songs I've heard that I've wanted to sing with children without the CD around.

The rest of the CD has some high points. Herman (along with his occasional co-lyricist Kenn Nesbitt) has a slightly skewed sense of humor that sometimes helps leaven the morals in his songs (for example, the detached-sounding "wow... cool" on "The World's Fastest Bicycle"). Sometimes the humor isn't there, and for my tastes, it doesn't do much for me, but your tastes my vary. Musically the album is mostly uptempo, with just the concluding song a sweet ballad. And although you wouldn't think an "Invisible Band" could generate a musically diverse and full sound, the album proves me wrong.

I think the album is best for kids age 5 to 8, although "The Elephant Song" is appropriate for kids as young as 3 or even 2... but there I go again, talking about that song. You can get the CD through Herman's website as well as CD Baby. Recommended, if only for, well, you know...

Review: Night Time! - Dan Zanes

The idea of a concept children's album is probably a bit too difficult to pull off. There aren't many I'm familiar with (John McCutcheon's quartet of seasons-related CDs is an exception). Concept albums for 4-year olds are a little broader generally, and don't always work. (Do you want to listen to 12 songs about addition? Didn't think so.)

On his third family and children's music album, Night Time!, Dan Zanes wisely eschews an explicit "nighttime" conceit for a set of songs that sounds very similar to his other kids' music albums, just a little more... nighttimey. (Yes, I'm a critic and I'm allowed to make up words.) By "nighttimey," I basically mean "mellow and relaxed."

This isn't sleepy-time music -- the leadoff track "Night Owl" with Aimee Mann is all about staying up late. The second track (my favorite on the album) is the jagged sea shanty "Pay Me My Money Down." When I first heard the album, I thought a song mentioning bars and jails was an... atypical choice for a children's music album, but in his liner notes he mentions that it was kids' favorite song when he would play schoolrooms. Go figure. It's a blast.

While all the elements of a Dan Zanes album are there -- the beautiful Spanish duet with Barbara Brousal, the Sandy Girls folk song, Rankin' Don doin' his dancehall thang or whatever his thang is -- there is an element of looseness and relaxation that is emphasized more so on this album than on the other ones. Maybe it's just the subtle hints in the liner notes and pictures, but it's easier to picture this album being made (and listened to) as the sun sets long into the evening. The album's one false note, "What A Wonderful World" with Lou Reed and the Rubi Theater Company, fails precisely because it's the one song that doesn't sound like it just "happened." Aside from that, the concept, loose as it is, works.

As with all of Zanes' albums, the album is probably best for kids ages 3 through 8, but is perfectly OK for infants and grandparents and everyone in between. The CD is available through Zanes' website, online, and in what seems to be an increasing number of offline locations. Highly recommended.

Review: Way Out - Justin Roberts

Children's music doesn't have a lot of great anthems. Sure, the Wiggles may be able to get a bunch of kids screaming like Shea Stadium with the Beatles in 1963 with the strains of "Hot Potato," but there are few songs that I can envision getting a crowd of kids singing along. (Think U2 and "Pride (In the Name of Love)" or "Beautiful Day," or, in a less enobling way, KISS songs.)

But on his most recent album Way Out, Justin Roberts writes a couple songs that I think reach kids' anthemic status. "Way Out" is about various characters and their dreams and encourages kids to "sing this song as loud as you dare," while "Humpty's At It Again" adds an interesting twist to the traditional nursery rhyme with a fun "oo oo oo" chorus. In concert, these must be fun to listen to (or sing with).

The other songs are another strong collection of mostly upbeat rockers. The use of brass on four songs may induce Herb Alpert flashbacks in adults, but is a nice expansion of the sonic palette. Roberts still has fun with his lyrics, likely to generate amused smiles from kids and their parents (though the phrase "Why-oh-why-oh-why-oh-J-C-C!" in "Day Camp" is likely to go over the heads of the kids).

Way Out is Roberts' strongest album yet. With songs about school and the tooth fairy, it's targeted mostly at kids 5 to 8 years of age. It can be found at the usual online and offline suspects as well as through Roberts' website. Highly recommended.

News: DZ and Disney, Laurie-Palooza

An article in Sunday's New York Times notes that Dan Zanes now has a deal with the Playhouse Disney network to produce his own music show. No word on when the music show will actually make it to the air.

The article also notes that Laurie Berkner has signed up to be in Jamarama, a Lollapalooza-esque traveling kids' music festival starting this fall. What's intriguing to me about the festival is the locations -- classic rock and alternative rock venues. ("Daddy, tell me again about the time you saw the Pixies here...")

Saturday, October 29 Morristown, NJ Community Theater
Sunday, October 30 New York, NY Roseland
Sunday, November 6 Chicago, IL Rosemont Theater
Saturday, November 19 Philadelphia, PA Electric Factory
Sunday, November 20 Washington, DC 9:30 Club

Review: Jivin' in the Jungle - Barking Gorillas

Jivin' in the Jungle is the first CD from Barking Gorillas, a two-person band from New York. It's filled with upbeat and musically diverse songs targeted at toddlers and preschoolers -- songs about riding on the train ("Riding on the Train"), fire trucks ("The Fire Truck Song") and playing all day ("Play All Day," natch).

There are parts of the CD I was less than fully enamored of -- "Spinning" uses some sort of toy piano that sets me on edge, as does "Poopie Pants." And maybe this is a personal thing, but on some songs, the lead singer's voice annoyed me.

But there are also some very worthwhile songs on the album. For example, my personal favorite, "The Park," sounds like the result of the Dead Milkmen recording a kids' song, and I mean that as a compliment -- it has a very punky energy and is lots of fun. "The Fire Truck Song" doesn't do much more than sing about fire trucks, but does that very well. And the two slow songs placed in the middle and end of the CD, are sweet, speaking more to the parents than the kids. (And, for whatever, on those slow songs, I really liked the singer's voice.)

A lot of the songs -- even the ones I didn't particularly enjoy on CD -- I can envision being lots of fun in concert with lots of kids around. In the car with just you and your wee one(s), your mileage may vary. Still, this is a promising debut album, and I look forward to hearing their next go-round. (Just lose the toy piano, please.) The album is available from CD Baby.

News: They Might Be Giants Like Kids, But Not Too Much So

One of the things I've always enjoyed about TMBG shows is seeing parents bringing their kids. In the back of the crowd, enjoying the noise and lights and energy, it seemed like a nice way to bring parents and children together.

Well, have I been wrong all these years? Because They Might Be Giants' (main) tour page now includes the following disclaimer:

Also, we enjoy having the opportunity to perform for children at our kid's shows, but there is simply no place for children at the regular TMBG shows. Things get very adult specific in terms of language. The volume is extreme even in the back of the hall, and there is usually large amounts of smoke of every variety; but most important of all-there are routinely a small number of very large, drunk, excitable adults who, at regular intervals 1.) jump off the stage directly into the crowd 2.) slam dance through the crowd 3.) throw bottles into the crowd and 4.) knock people down in their revelry. Over the years we regret to report we have seen many different kinds of serious injury due to crowd rowdiness-injury that would be far more serious to a small child than to a flexible 18 year old. There is essentially no controlling the random nature of crowds. This is why we cannot allow children at our shows. Please-get a baby-sitter. Make no mistake-TMBG shows are adult-only affairs. Do not bring children to shows that are not specifically for children. You will be turned away.

Sigh. Maybe they're right. (But I'm still sad I didn't get a chance to take my daughter to a "regular" show.)

News: Dan Zanes Putting Together New Album

The Chicago Sun-Times (via Billboard.com) reports that Dan Zanes will be putting together a new CD for Starbucks' Hear Music label. The disc will have a "dance party" theme and will combine some of his older songs with new songs. The album is scheduled to be released in February 2006.

Review: Happy Lemons - Ralph's World

By the time Ralph Covert recorded his third children's album, Happy Lemons, he pretty much had the Ralph's World formula down pat:

1. Start with some uptempo originals.
2. Scatter a few covers, children's and otherwise, into the mix.
3. Use a few different musical styles.
4. End with a sappy song that's kinda nice in spite of itself.

And so it is with Happy Lemons. Heck, on the peppy title track, which leads off the album, Covert shares songwriting duties with his elementary-aged daughter Fiona. (Of the two father-daughter penned tracks on the album, I prefer the midtempo rocker "Puddle of Mud," which, aside from the lyrical content, would sound OK on modern adult contemporary radio.) "Pony Boy" is a bit draggy for my tastes, but his version of "The Muffin Man" is very energetic, the best I've heard. "Clean Up" is a reggae song, complete with horn section. And "Riding With No Hands" is another standard-issue closing sappy song. Covert is by no means alone among kids' recording artists in ending his CDs with a slower, sweet song, but he may be the most shameless practitioner.

For me, a little something is missing from this album -- there's no absolute "you have to hear this one" song like there was on his previous CDs ("Eighteen Wheels on a Big Rig" still -- annoyingly -- runs through my brain). But all in all, it's another solid album, and if you like the other Ralph's World CDs, you'll like (or at least tolerate) this one. Best for ages 4 through 7. Found at most major bookstores and online purveyors of media. You know the ones. Recommended.

Review: Songs to Grow on For Mother and Child - Woody Guthrie

The folksinger Woody Guthrie was a prolific songwriter. Best known as the composer of "This Land is Your Land," Guthrie wrote and wrote and wrote. (Billy Bragg and Wilco combined to make two enjoyable Mermaid Avenue CDs in which they took songs from his large store of unreleased lyrics and added new melodies.) In addition to writing many songs with a more political bent, he also released a couple kids’ albums in the mid-1950s. Both these albums have been released on CD by Smithsonian Folkways records.

Guthrie’s Songs to Grown on For Mother and Child is one of those CDs. It can be a fun CD for singing along with your child(ren). The titles (“Rattle My Rattle,” “I Want My Milk,” “I’ll Write and I’ll Draw”) are pretty indicative of the CD's topical concerns. (No, I could find no references to the labor movement.) The CD says the target audience is kids age 4-6, but I think kids as young as 1 or 2 would enjoy some of the songs.

A warning, though, the production is pretty simple, with many tracks only having Guthrie’s vocals accompanied by a guitar or a shaker. (There's a reason why I prefer Elizabeth Mitchell's or Wilco's versions of Guthrie's songs -- better vocals and/or better melodies.) If you like your productions polished or you dislike folksinging, this isn’t the CD for you. Over time, the CD has received less attention in our household for those reasons. But if you are more interested in folksinging, you may just find this to your taste.

Review: Singable Songs for the Very Young - Raffi

The Elvis of children's music would have to be Raffi. His own "Behind the Music" episode wouldn't be nearly as interesting as, say, Motley Crue's. But the category of "children’s music" didn’t exist in record stores before Raffi -- and this CD -- came along.

Singable Songs for the Very Young was recorded nearly 30 years ago. But it still sounds fresh today. Now, if you’re allergic to folk music, you may not like these CDs. The instrumentation is often simple -- a guitar, perhaps, or Raffi singing with no accompaniment at all. But sometimes there’s a full band playing, such as on "Willoughby Wallaby Woo" or "Old MacDonald Had A Band." The CD sounds great, and that may be due to the work of Daniel Lanois, who recorded the album. Lanois went on to do much more famous work creating a great sonic palette for U2's classic '80s era albums and, in the '90s, Emmylou Harris and Bob Dylan, among others. (So look at it this way -- even if you dislike Raffi, without him, maybe there's no "Where the Streets Have No Name," unless, of course, you also dislike U2, in which case I can't do anything for you.)

For the most part, Raffi sticks to classics and traditional songs. Raffi's own songs are split between "non-message" songs (e.g., "Going to the Zoo") and "message" songs ("I Wonder If I'm Growing"). With the exception of the "message" songs, kids 2 years old (or younger) through 5 years will enjoy the CD; some of the "message" songs are probably more appropriate for 3 year olds. If there's any drawback to the CD, it's that it's less than 30 minutes long. Then again, a little Raffi can go a long way.

One thing that is striking to me about Raffi's earliest albums is the utter lack of reference to the adult world. If you listen to children's artists recording today such as Ralph's World or Justin Roberts or Laurie Berkner (all very good), they will incorporate references to adult television shows or humorous lines targeted at the adults. No such thing in Raffi's work. It is all aimed at the kids' level. Not that it is ever condescending (the great error in bad kids' recordings). But Raffi is clearly not singing for the kids' parents.

I think there's a tendency to dismiss Raffi as an "annoying" children's artist. It's possible that his later work is the source of this frustration. But his earliest work, especially Singable Songs for the Very Young, are CDs your children will love and you will like a lot more than you expected.

Review: Listen Learn and Grow Lullabies - Various Artists

With these Zooglobble reviews, I've focused on, for lack of a better word, "daytime" CDs. They're generally peppy, or a little bit folky, and definitely candidates for, well, the car. You know, you listen to the CD at home. You listen to it on the airplane. You listen to it in the car. If a CD can stand up to that repeated (ab)use, then there is definite merit to the album.

I've not talked about "lullaby" CDs because, by definition, neither parents nor kids should be actively listening to a lot of these CDs. The parents should be out of the room and the kids, well, they should be sleeping. They're probably not, of course, but it's nice to pretend, no? Whatever the case, kids are definitely not begging to "play that song again!" when referring to Brahms' "Lullaby."

But good music is good music, no matter when it's played. And my wife and I heard quite a few of these CDs when (she) nursed or (I) gave a bottle to our daughter.

The first thing you should know about lullabies on CD is that there are many CDs that have "lullaby" or "sleepytime" in the title that have no business being used during nap time or nighttime. Next to the "Mozart effect," it's probably the most-overused phrase in kids' music. (Next thing you know, they'll be advertising how these CDs have Bluetooth technology.) Just because the CD has music by Mozart doesn’t necessarily mean that it'll be calming and soothing during naps or feedings.

Naxos is a "budget classical" label and has a CD entitled Listen Learn and Grow Lullabies. The CD advertises that "each selection [on the CD] has been specifically chosen for its soothing and tranquil qualities," and while that sounds like a bit of marketing hoo-hah, this is a pretty "soothing and tranquil" CD. Because these are pulled from Naxos' other recordings, they avoid the saccharine nature of a lot of kids' CDs. You'll recognize the first couple selections ("Twinkle, Twinkle, Little Star" and the aforementioned "Lullaby") by name and some others by melody, but others will likely be completely new to you. They are, however, almost uniformly pleasing to the ear.

While marketed as a "lullaby" CD, nothing except the cultural knowledge of the first couple songs requires pigeonholing this CD as just for kids. Naxos' huge catalog means that it'll be hit or miss as to whether you can find it in your local music store; they're certainly available online.

If I had to pick just one lullaby CD that I would actually use for a child, Listen Learn and Grow Lullabies would be the one.

Review: Whaddaya Think Of That? - Laurie Berkner

Of all the well-known children's music artists currently recording, Laurie Berkner has made the most effort to rescue toddler/pre-school songs from the detritus of many years of neglect. She does this in two ways:
1) She has fun singing kids' classics.
2) She records new songs actually aimed at toddlers.

Berkner's first CD, Whaddaya Think Of That? shows her strengths in both types of recordings. This CD doesn't have many "cover versions," though her renditions of the "Alphabet Song" and (especially) "She'll Be Comin' Round the Mountain" are lively and joyful, with just enough "something new" to make the tired songs fresh. Her rendition of the classic "The Lion Sleeps Tonight" is also lots of fun. She makes these songs fresh and fun even though she's rarely accompanied by more than a guitar and (sometimes) piano.

But more than most kids' artists, Berkner writes songs for toddlers and pre-schoolers without many concessions to kids. Even the song most likely to draw a smile from parents ("Doodlebugs," for reasons that I'll not reveal here for fear of ruining the surprise) works perfectly for the kids. Unlike many songs that encourage participation but which are bland on record, Berkner's songs such as "What Falls In the Fall?" and "These Are My Glasses" work fine even if you're just listening. And "We Are the Dinosaurs" is an instant kids' classic, if there can be such a thing. Indeed, one of the strengths of Berkner's work for younger kids is that the songs are simple enough that parents (and kids) can sing them later on, when the CD isn't playing.

There isn't much difference between this CD and Berkner's follow-up Buzz Buzz. Whaddaya is perhaps a little more limited in instrumentation, but not by much. Basically, if you like one of the CDs, you'll like the other. (And I recommend them both.) The CD is targeted mostly at kids between the ages of 2 and 6. You can buy Berkner's CDs at her own label, Two Tomatoes, or online or in finer book- or children's stores.

Review: Family Dance - Dan Zanes

Family Dance is billed as being by "Dan Zanes and Friends." By inserting the "and Friends" part in there, the listener gets the impression that he or she, too, could gather their own friends round the piano in the living room, drag in a small amp and guitar, and record a really hip version of, say, "Skip To My Lou."

That listener, of course, would be completely and utterly wrong.

The reason they would be wrong is that Dan Zanes has a whole bunch of really talented friends who can actually sing and play their instruments. On Family Dance, for example, Rosanne Cash turns in a nice duet with Zanes on the obscure (for me) kids' song "Fooba Wooba John," Loudon Wainright III helps in a raucous version of "All Around the Kitchen," and Sandra Bernhard "sings" (sort of) on a Dan Zanes original, "Thrift Shop." The less famous of Zanes' friends are no less talented -- Barbara Brousal sings one of her songs, "Malti," while Rankin' Don puts some life into those most tired of kids' songs "The Hokey Pokey" and, yes, "Skip To My Lou."

There's not much difference between this album and, say, Zanes' later House Party. The later album is perhaps ever so slightly more diverse (there's not much bluegrass in Family Dance), but however you felt about House Party, you'll likely feel the same way about Family Dance. It draws from the same well of kids' classics, American songbook classics, some foreign nuggets, and a few solid Zanes originals.

The CD is appropriate for, well, just about anybody. Kids age 3 and older might appreciate it more, but more than any other kids' artist out there right now, Zanes is a practitioner of "family music," meant for the whole family. Available from Zanes' own label, Festival Five, or finer online and bookstore vendors. Definitely recommended.

(And Zanes would definitely recommend that you get your family and friends together to sing and play music -- it's one of his attitudes that I find most refreshing. But hold off pressing that CD, OK?)

Review: You Are My Sunshine - Elizabeth Mitchell

[Read the review of Mitchell's latest -- You Are My Little Bird -- here and more Elizabeth Mitchell news here]

I've talked before about Elizabeth Mitchell's first CD for kids, You Are My Flower. It's a great little CD. If there were any drawbacks to the CD, it was that it was too short (less than 25 minutes) and perhaps too "folk-y" for some tastes.

One her second CD, You Are My Sunshine, Mitchell says, "Hey, you, Mr. Daddy-Guy, I hear ya. I'm gonna make it longer and mix it up for you."

Uh, OK, she doesn't really say that. Or, at least, not that I'm aware of.

But her new CD is both longer and more diverse. And why wouldn't you want a longer CD when it includes great renditions of kids' songs traditional and un-? The alphabet song done in dub-reggae style. A Bo Diddley blues (sort of). Mitchell ups the young parent hipness quotient by covering both Sesame Street ("Ladybug Picnic") and Schoolhouse Rock ("3 Is The Magic Number"). And the covers of some traditional songs with religious backgrounds -- "So Glad I'm Here" and "Jubilee" -- make me happy every time I hear them. The first half of the CD is fairly varied in tempo; the second half is much more "folk" -- very mellow.

The CD is probably best for kids under age 6, but it's truly one of those albums you may find yourself putting on even when your kids aren't around. If you at all liked her first CD, you will like this one. If you've never heard Mitchell, I'd recommend this CD somewhat over the first one. If you hated her first CD, then I just don't know what to do with you. You probably shouldn't continue reading my reviews. The CD is available at the usual online suspects and at her website, You Are My Flower. Highly recommended.

Review: At the Bottom of the Sea - Ralph's World

With his first, self-titled Ralph's World album, Ralph Covert immediately set the standard for 21st century kids' music -- musically diverse and lyrically targeted at kids while winking at their parents.

It is not a criticism of his second kids' album, At the Bottom of the Sea, to say that it's just like the first CD, only more so. At the Bottom of the Sea is even more musically diverse than Ralph’s World, from the country stylings of “Honey for the Bears” to the faux-Beach Boys sound of “Surfin’ in My Imagination” to the pirate chanty “What Can You Do with Your Baby Brother?” The parents will probably bob their heads happily during the “Banana Splits” theme song; my wife especially appreciates “The Coffee Song,” which obviously bears the imprint of having been created waaay too early one morning (a wild guess on my part which Covert has confirmed in subsequent interviews). Even his rendition of "Itsy Bitsy Spider" has enough subtle humor to keep the parents amused while maintaining a simplistic approach to the song that will hold the attention of the very youngest.

Given that Covert’s daughter is probably a couple years older than when he wrote the songs on Ralph’s World, the songs on this album are targeted mostly at kids between 3 and 8. Covert's popularity means that if any non-Disney CD is to be found at a Best Buy, it's his; otherwise, the usual online suspects are the place to go.

If you liked Covert's other Ralph's World CDs, you'll like this one. Recommended.

Review: Songs For Wiggleworms - Old Town School of Folk Music

It doesn't take much to turn a tired old chestnut of a kids' song into one worth hearing. Usually a little bit of enthusiasm does the trick.

Songs For Wiggleworms, from Chicago's Old Town School of Folk Music, has 38 mostly classic kids' songs crammed into one 50-minute disc and has enthusiasm in spades. You've probably heard most of these songs ("Row, Row, Row Your Boat," "If You're Happy And You Know It...", etc.) but a few our family didn't know before hearing this CD. Regardless of whether the songs are new or old to you, your child (and you) will enjoy these lively renditions, sung by assorted musicians at the school (even Ralph Covert makes an appearance). The enjoyment of the musicians is evident in the renditions, whose occasionally ragged nature make it sound like you're sitting in an Old Town class. Thankfully, accompanied by little more than a guitar, if that, the musicians also stay away from "Star Search" vocal acrobatics.

There are some French-language and Spanish-language folk songs, too, along with a few non-kids songs ("Twist & Shout") to go along with the English-language classics. My favorite song on the album is "You Are My Sunshine," whose lyrics are modified slightly to eliminate the darker overtones of the original. And the songs I don't like? Well, as I said, there are 38 songs on a 50-minute CD -- just wait a minute, there'll be a new song coming up shortly. This CD is targeted at kids from birth to age 4 or 5.

The CD was out of print for a while, but is available once more here at CDBaby.com. Trust me, I've heard a number of nursery school song CD collections -- this is one you'll actually enjoy and the only one worth getting.

Review: Buzz Buzz - Laurie Berkner

The simplest kids' songs are sometimes the most effective -- Old McDonald's farm is not all that complex of an environment, yet it's a rare toddler or even pre-schooler who isn't somewhat amused by the song, particularly if it's delivered with gusto.

The best songs on Laurie Berkner's Buzz Buzz exemplify that truth. My all-time Berkner favorite, "Pig on Her Head," is about Berkner's family, who has a whole menagerie of animals on their noggins. (Heck, it's the sequel to "Old McDonald Had a Farm!") "I Really Love to Dance" is about a young kid who tries lots of different things but keeps coming back to dancing. Those originals are lots of fun. The covers are also performed with fun arrangements, such as the guitar, bass, piano, and kazoo used to provide a jaunty "I've Been Working on the Railroad." And her version of "There's A Little Wheel A-Turning In My Heart" uses the whole "change-one-thing-in-each-verse" to great effect.

Slightly less successful for me were longer songs that I think are more clearly designed for an interactive performance (e.g., "The Pretzel Store," "Lots of Little Pigs"). They're longer, so they're not quite as good if you (and your kids) are listening to the CD in the car. But if you're at home, and can convince your kids to act along, they'd be cute.

This is a fun, (mostly) upbeat CD and is recommended for children aged 2 to 6 years.

Berkner's CDs are available at her website, Two Tomatoes or all the finer book- and music stores.

Review: All Wound Up! - Cathy Fink & Marcy Marxer with Brave Combo

Parents are familiar with serendipitous combinations -- peanut butter and jelly, Bert and Ernie, diapers and the Diaper Genie.

But some combinations aren't nearly as obvious.

Brave Combo is Texas band that plays polka (among other things) and Cathy Fink and Marcy Marxer have been making kids music for 20 years. You wouldn't necessarily think that they would be making music together, but in All Wound Up!they have made one energetic album that should get your child dancing. (Warning: The Surgeon General has recommended that you do not play this album right before bedtime.)

The songs are lots of fun and cover a broad range of styles, helpfully listed in the liner notes. Some songs are Fink & Marxer originals -- "I Will Never Clean Up My Room" is an amusing tale of one child whose recalcitrance pays off in interesting ways. Some songs are hearty renditions of public domain and traditional songs (including, yes, "De Colores," which makes this literally the 5th or 6th version on our CD shelf). Ironically, the favorite song of mine and my daughter is the one Brave Combo-penned song, "Spaghetti," and enthusiastic tribute to restaurant pasta that ends with three or four overlapping musical lines. As with any good music, you can play either of these albums for kids of all ages, but kids from 4 to 8 years of age would probably appreciate them best. The record is on the Rounder label, available in the usual online suspects and in the "real world."

Review: Yellow Bus - Justin Roberts

What is it with Chicago and the abundance of good music for children out of that city? OK, it's probably the incredibly dense and relatively affluent population in the Loop that makes it possible to create a niche (and living) for yourself by performing kids' music.

See, for example, Justin Roberts. Roberts, like Ralph's World's Ralph Covert, tried for a few years to make music for adults, except Roberts did so in Minneapolis. Somewhere along the line, however, Roberts moved to Chicago and eventually turned his attention to making children's music. Kids and their parents are the luckier for it.

His third album, Yellow Bus, has a lot of rollicking tunes and some sweet slower songs (at the end of the CD -- I think this must be required by some sort of international children's music CD protocol). If you find Ralph's World just a little too saccharine for your tastes, Roberts is less so. Roberts' voice reminds me a lot of James Taylor's, but his songs are definitely more upbeat and uptempo than "Sweet Baby James." There are enough gently humorous twists in the lyrics to amuse adults. Some songs, like "One Little Cookie" (my favorite song on the CD) almost seem like they written to amuse the parents, not the kids. Roberts' songs have definite narratives and as a result violate my two-minute maximum rule. But I can definitely see how older kids (4 to 9) would enjoy listening to the songs. You can get the CD at Hear Diagonally (Roberts' label), or the usual suspects (Amazon and CDBaby).

Review: Monkey Business - Eric Herman and the Invisible Band

As a parent of a pre-schooler, I've heard lots of CDs with pretty simple lyrics. "Row, row, row your boat" may be a model of Zen equanimity to some with a Matrix-like philosophical underpinning, but, really, it's about rowing your boat downstream. Over and over and over again.

This is not to say that simple lyrics are bad. Just that they've been the norm thus far in my infant/toddler/preschooler parental music experience.

So it takes some adjustment on my part to listen to music obviously geared toward older kids. Lyrically, the new CD from Eric Herman and the Invisible Band, Monkey Business, has some moments of inspired weirdness, which I mean as high praise. For example, the song "The Monkeys" tells the familiar story (to thirty-somethings and forty-somethings, perhaps) of four monkeys named "Mick and Dave and Mike and Pete" who sang in a band, and were accused of not even playing their instruments. The song concludes with lyrics such as "I'm in love... I'm a banana eater" and "Take the last vine to Clarkville." Another song, "Don't Bother Any Butterflies," works in a nice Beatles reference in an appropriate place. So lyrically the album works in enough sly references and humor to amuse both the children and the adults.

I think this CD works best (for adults at least) when Herman is telling a simple story or just singing -- "In the Box," the uptempo song that starts the CD is a fun song about cleaning up. The two slow songs at CD's end -- "The Hero of Your Dreams" and "Rest Easy Now" -- are sweet, slower songs appropriate for CD's end. Less successful for me were storytelling songs in which Herman assumes the voice of pirates or a robot. I can see six- and seven-year-olds really enjoying those songs, especially in concert or on a video, but I think their parents (or, at least, this one) won't enjoy them nearly as much on this CD.

Kids age 5 through 8 would probably enjoy this CD the most. You can buy the CD through online stores such as Amazon or CDBaby, or through Herman's website.

News: Kids' Music Moves Downtown

An interesting article reprinted in the Arizona Republic this week about playing kids' music in nightclubs. The article talks about how some nightclubs are booking shows for artists playing children's music. Seems like not every club could pull this off, depending on the operating interior decorating motif, but there's no reason why parents can't give their kids a wide range of cultural activities by taking them to a nightclub (in a safe environment) just as they might take them to the symphony or the ballet. The article namechecks other artists -- They Might Be Giants, Ralph Covert, and Laurie Berkner -- as well as mentions other, less well-known artists.

Another approach to kids' music is to have "regular" musicians come in and play shows. This is the approach that the Washington, DC cable show Pancake Mountain has taken, bringing in non-kiddie artists such as the Arcade Fire ("Wake Up" is a pretty cool song, I admit) and Vic Chesnutt. Without watching the video clips, I'm not sure how the approach actually works, but it's further proof that people are taking more seriously the idea of kids as music listeners.

Review: Ralph's World - Ralph's World

Ralph Covert is a classic example of a musician who along the way to a career as a musician making music for adults stumbled into becoming a kids' musician and found he had a gift for that type of music. These conversions are not so surprising; coming home at 3 AM after playing clubs (then sleeping 'til noon) is perhaps not the best way for an artist to be a part of their kids' lives. So now he records as Ralph's World.

On Ralph's World's first kids' CD Ralph's World, the band showcases a broad range of musical styles, though it’s considerably tamer that one might expect from a band that includes a former member of the Smashing Pumpkins. Up-tempo, down-tempo, western swing, disco, whatever. There are lots of songs about animals (“Freddy Bear the Teddy Bear”, “Animal Friends”, “Tickle a Tiger”). And Covert isn't afraid to write songs that put his heart on his sleeve ("All My Colors," "Bedtime Girl").

But there are just enough sly adult references to keep the parents happy; “Take a Little Nap (The Disco Song)” reworks a classic disco tune. Covert’s daughter and friends make appearances singing backup (don’t worry, it’s kept in check). The album is targeted at kids aged 2 to 6. Recommended.

Review: House Party - Dan Zanes

There are those kids' albums that sound like they're specifically geared toward, well, kids. The best of these get into the kids' worlds, their hopes and fears. The worst talk down to kids, way too stickly sweet.

And then there's Dan Zanes. His albums are the best example of what I'd call "family music." Instead of gearing his music primarily toward kids, Zanes finds (or, on occasion, writes) songs the whole family can enjoy. Zanes' 2003 album, House Party, exemplifies this approach. The title track is all about making music at home with family friends. My daughter asks to listen to it all the time, along with the uptempo "Down In The Valley." "House Party" is followed up by the traditional bluegrass tune, "Wabash Cannonball." There's nothing about "Cannonball" that makes it geared towards kids, except the fact that it's just a great little song, part of the American song canon.

"Cannonball" is only one a few traditional songs Zanes uses to good effect on the CD. My favorite is a lovely duet with Debbie Harry on "Waltzing Matilda," on which Harry's voice is so lovely you can't believe you're listening to the same person who led (and still leads) the rock band Blondie. As fun as that and other songs are on the CD, my very favorite is a Zanes original that ends the CD, "A Place For Us." A simple song about friendship and belonging, with composer Philip Glass on pump organ, I find it almost heartbreakingly beautiful, which lets me indulge its 6-minute runtime. (It's way too long for kids, of course, but I think it's great.)

Like all of Zanes' CDs, this one comes packaged in an illustrated book-like cases with liner notes. But you'll probably be too busy dancing with your kids to read it. (Unless, of course, you're driving. Then you're not dancing. I hope.)

DVD Review: Here Come The ABCs - They Might Be Giants

In my younger days, I went to clubs to hear Rawk Bands. And in my much younger days, I watched Sesame Street.

It is no knock on this new DVD -- it's high praise, in fact -- that I could see clips from the DVD played at clubs and on Sesame Street.

My review from last week on the CD version of this album was interpreted in the comments section by a snarky friend as being a negative review. As a long-time They Might Be Giants fan, I prefer to think of my less-than-5-star CD review as a reflection of them just failing to meet the high standards I've set for them. And part of that was a result of some songs that sound like they were designed for the DVD that were less than compelling without visuals.

So, then, the questions is, "how are the visuals?" And the answer is, fantabulous. Really. The video for "Pictures of Pandas Painting," while not a favorite song of mine, has a hypnotic, psychedelic feel. The art in "C is for Conifers" is nothing less than, well, art. "Q U" is a quirky live-action bit with Q and U (I love the shot of them walking through Central Park, with the crowd completely ignoring them). The puppetry in songs like "Who Put the Alphabet (In Alphabetical Order)" is lots of fun and a little surreal (e.g., the guitar windmills of a nearly-punk-rockin' pink poodle). And with visuals, songs such as "Letter Shapes" are much more enjoyable. (One note: if you're interested in the DVD because you want to see the actual band, you'll be mostly disappointed as the "thumb puppet" Johns get almost as much screen time as the "real" Johns -- i.e., not much.)

Taken in one 50-minute sitting, it's almost too much, but these visuals would fit in perfectly as interstitials (between-segment shorts) in Sesame Street. They would also make perfect oblique sense played on TVs in a rock club between sets.

One other minor complaint -- the DVD menu doesn't have scenes by chapters. If you're trying to limit a child's viewing time, trying to get to a particular song (and then play it from there for, say, 15 minutes) takes more work than it should.

But these are minor complaints. Excellent DVD.

Review: Here Come the ABCs - They Might Be Giants

As a follow-up to their popular and critically-acclaimed children's CD No!, Here Come the ABCs is a bit of a let-down only in comparison to such a strong disc. Part of this is probably due to the deliberate narrowing of subject matter of the new disc. How many different ways can you sing songs about the alphabet, a subject whose signature song was written by Mozart? But the relatively abstract nature of the lyrics allow TMBG to run amuck across the musical spectrum: jaunty ("E Eats Everything"), prog-rockish ("Pictures of Pandas Painting"), sometimes within the same song (the ballad/British Invasion/"Leader-of-the-Pack"-ish "D & W").

Since this CD was created with a companion DVD in mind, some of the songs ("Can You Find It?," "Letter/Not A Letter," "Letter Shapes") seem deficient without any accompanying visuals (I'll address whether or not that's actually the case in an upcoming review of the DVD). And unlike No!, which used a few songs from TMBG's "adult" career, the songs on ABCs are definitely more targeted at kids (thereby increasing the likelihood of odd stares from co-workers should you take the CD to work).

But that's not to say there aren't some standout tracks. "Alphabet Lost and Found" is a electronica-lite song about well, lost and found letters. "I C U" has some great wordplay (or, rather, letter-play). "C Is For Conifers" is a fine entry in the long TMBG tradition of educational songs and covers ("Mammal," "Meet John Ensor," "The Sun Is A Mass (Of Incandescent Gas)"). And "Q U" is just cute (or "qute," I guess).

Can I envision sneaking this off to work like I did with No!? Probably not -- it's not as strong an album in total. But if you (or your children) liked No!, there's no reason to believe you (or they) won't find Here Come the ABCs enjoyable as well.

News: Children's Grammy Noms Announced

The Grammy nominations were announced yesterday and the nods for the two children's categories are:

Best Musical Album For Children (For albums consisting of predominantly music or song vs. spoken word.)

> Beethoven's Wig 2 - More Sing Along Symphonies - Beethoven's Wig [Rounder Kids]
> cELLAbration! A Tribute To Ella JenkinsVarious Artists - Cathy Fink & Marcy Marxer, producers [Smithsonian Folkways Recordings]
> House Party - Dan Zanes And Friends [Festival Five Records]
> Merry Fishes To All - Trout Fishing In America [Trout Records]
> Sharing Cultures With Ella Jenkins - Ella Jenkins [Smithsonian Folkways Recordings]

Best Spoken Word Album For Children (For albums consisting of predominantly spoken word vs. music or song.)


> The Best Halloween Ever - Elaine Stritch [Harper Children's Audio]
> Carnival Of The Animals - John Lithgow [Simon & Schuster Books For Young Readers]
> The Emperor's New Clothes - Peter Schickele [Newport Classic]
> Green Eggs And Ham And Other Servings Of Dr. Seuss - Various Artists John McElroy, producer[Listening Library]
> The Story Of Classical Music - Marin Alsop [Naxos Audio Books]
> The Train They Call The City Of New Orleans - Tom Chapin [Live Oak Media]

The Grammys will be televised Feb. 13, 2005, although I would be surprised to see either of these categories awarded during the broadcast.

Review: Catch the Moon - Lisa Loeb and Elizabeth Mitchell

An increasingly popular approach to recording kids' CDs is packaging the CD with a book. In some cases, like Philadelphia Chickens and Rhinoceros Tap from Sandra Boynton or Bed, Bed, Bed by They Might Be Giants, the hardcover book is pretty big, and doesn't necessarily lend itself to play with a preschooler. But the ubiquitous "board book" format is beginning to become popular with recording artists.

Now, the first question with any of these book/CD combos is… "Where in the world do you file these things?" With the oversized hardcovers, it seems they get exiled to places far from the stereo or car CD player and just don't get much airplay. The board book versions (this CD, the Dan Zanes CDs) solve that problem by having books that are barely larger than the CD itself. Of course, filing them with the rest of the CDs means that they rarely get read. Oh, the waste!

Maybe I'm just too hard to please.

Well, not really. And this CD does have an advantage in that it is quite pleasing. Mitchell is known, of course, for her 2 children's CDs, You Are My Flower and You Are My Sunshine. Loeb is new to the children's music game, known best for, well, winsome pop. Together, they've made an album that isn't much different from Mitchell's two solo CDs, except that maybe it's a little more polished (but still somewhat winsome). It's also a little more international, as the album includes renditions of traditional Spanish, Japanese, and French songs. (They're pleasant enough, but don't have huge appeal to me.) That seems to be the Loeb influence; fans of Mitchell's out-of-left-field (though usually excellent) cover song selections for her kids' CDs will be pleased by the inclusion of Dylan's "New Morning."

The best track on the album by far is the title track, an original by Mitchell, Loeb, and Mitchell's writing partners. "Catch the Moon" isn't just a great kids' song, it's a great song, period. It's a gentle pop song that would be a minor Billboard hit in a more eclectic radio world.

The album is probably best for kids aged 2 years (or even) through maybe 5 years. The accompanying book is a nice addition. I would recommend the album to fans of Mitchell's other work, as well as to parents looking for a mellow, poppy, multi-cultural kids' CD.

Review: You Are My Flower - Elizabeth Mitchell

[Read the review of Mitchell's latest -- You Are My Little Bird -- here...]

Elizabeth Mitchell helped found the rock band Ida with her husband Daniel Littleton. Unlike children's artists who have given up their "adult" careers or artists like They Might Be Giants, who are now doing both under the same name, Mitchell has kept her "adult" and "children's" careers separate. I have never heard Ida, so I have absolutely no idea what they're like, but You Are My Flower, the children's CD the two of them recorded together, is wonderful. If you like simple folk tunes polished up just a bit to take the roughest of edges off, you probably will enjoy this CD, which includes renditions of a couple Woody Guthrie children's songs. They also cover a song by the blues artist Leadbelly and two by the Carter Family, so you know it¹s not a typical kid's CD. (In fact, this was one of the first children's music CDs I would play even if there were no kids around. The entire album is pretty mellow, but lots of fun (my favorite songs are "This Little Light of Mine" and "Freight Train"). The CD is appropriate for kids from birth to 5 or so. My only complaint is that the CD is only about 25 minutes long (but, hey, it makes up for the kids' CDs that are way too long). You can find more information on Mitchell, this CD, and their follow-up at http://www.youaremyflower.org.

Review: No! - They Might Be Giants

The band They Might Be Giants are elder statesmen of what has sometimes been called "geek rock." The band has been recording albums for close to 20 years, and for most of that time they aimed their records right at your typical rock-listening audience of high schoolers and those with high school in their rear view mirror. But if you see them live, you'll find something unusual for rock concerts -- little kids on their parents' shoulders.

In 2002 the band released No!, their first album specifically for kids. Some of the songs could just as easily have been released on an album for adults (indeed, some have been concert staples of theirs for years). Some of the songs are very simple, if somewhat skewed. "I Am Not Your Broom" and "I Am a Grocery Bag" are about, well, what their titles say. Other songs, however, are significantly more complex, both in instrumentation (full band!) as well as song structure. "The House At the Top of the Tree" has a Memento-like storytelling structure. (Oddly enough, that song is one of my 3-year-old daughter's favorites, and thanks to constant repetition, she's probably better at the lyrical intricacies than I am.) "Bed Bed Bed" is a 6-year-old's version of the Beatles' "Day in the Life" off of Sgt. Pepper's, complete with the sound of a placid ping pong game buried deep in the mix at the end.

I would recommend TMBG CDs to kids of all ages (they're the one rock band I don't have any problem playing for our daughter), but this CD is probably best for kids age 3 - 8. There are a number of wonderful songs on the CD -- the first three ("Fibber Island," "Four of Two," "Robot Parade") are particularly strong. The CD is interactive, with lots of games (sort of) you can play while listening to the songs. You can also go to http://www.giantkid.net for more TMBG kiddie-related goodness.

My Approach to Kids' Music

This blog grew out of a series of articles I wrote for my wife's parenting group newsletter. I enjoy listening to (and playing) music, I have an opinion about a lot of music, and -- most importantly for a newsletter author or blogger -- am fool enough to want to write about it. That was all that necessary to spend a page or two rambling on about kids' music. (Much of this entry is from my first newsletter article.)

We own maybe a couple dozen children's CDs and have listened to maybe a dozen more (though both figures are slowly growing). Our daughter is now about 3 1/2 years old and is only now expressing her musical preferences. Of course we want our daughter to listen to music she enjoys, that makes her happy.

But since you, the parent, will listen to the CDs and tapes almost every time your kids do, I think your (and my) opinion counts nearly as much as the child's. And you're still going to be able to offer your kids new, good stuff, so it's not like you're stuck listening to that [insert name of CD that makes you twitch just thinking about it.]

In this blog I'll write about a number of different CDs, spending more time on the good stuff than the bad for two reasons: 1) I'm not nearly catty enough to write enjoyable reviews about bad music, and 2) I want to focus on the good stuff.

I should probably explain my beliefs about children's music:

1) Good kids' music is enjoyable for adults, too: I think the best kids' music can be enjoyed by kids and parents alike. This is true not only critically -- like Bugs Bunny cartoons, great kids music appeals to multiple generations -- but also practically. If you don't like a kids' CD, you are unlikely to play that CD very often, which probably means your child won't become a fan of it, either. (Or, alternately -- and sadly -- you'll be stuck listening to a painful CD over and over as your child wants to hear the same song over and over and Over and OVER!) In the end, "family music" is probably a better phrase than "kids' music," but sounds sort of dorky and plus Borders and Barnes & Nobles across the country would need to relabel their sections, so I think we're stuck with "kids'" or "children's" music.

2) Not all good adults' music is enjoyable (or even suitable) for kids: I don't think my daughter would like my Nirvana's "Nevermind" CD; even if she did, I wouldn't want her to listen to it for a few years. (Even if I really like the CD, which I do.) No, good kids' music is generally simpler melodically, lyrically, and rhythmically, plus you can usually understand what's being sung. (Clear enunciation was never Kurt Cobain's strong point musically.) Now please don't think I'm saying you should never play "your" music around your kids. You need to play music for yourself, and as I've noted above, some music really is for the entire family. But if you think that your 2-year-old is getting something out of listening to Tool, I think you're wrong.

3) Did I say simple was good?: I've heard CDs which seemed to have been produced by some guy in his basement with a Casio synthesizer with his cousin singing over-emoted versions of simple folk songs. If the song was sung quietly by moms to kids with no accompaniment 100 years ago, it's unlikely a cheesy synthesizer with faux strings will somehow add a layer of meaning or emotion. It's OK to have multiple instruments, but at least make sure they're real.

4) Who are you anyway?: OK, we're at silly, yet oddly accurate, predictors of a CD's quality. (Sort of like all those methods for predicting unborn babies' gender.) The best albums have the participants' names plastered all over the CD, just like "adult" music. I've never listened to a good album in which I didn't know exactly who was responsible. It's as if makers of bad CDs are embarrassed by what they've produced. If you can't see who's singing or playing on the CD, move away.

5) No "Stairway to Heaven": Do you want to listen to 4 minutes of "Old MacDonald Had A Farm"? ("And on this farm he had an ocelot...") I didn't think so. Kids don't have long attention spans, and most classic kids songs don't have much more than 60 seconds of material. So my basic rule is that kids' CDs shouldn't average much more than 2 minutes per song. This rule can be bent for CDs targeted at older kids, whose attention spans are (hopefully) longer, and for lullaby CDs.

Finally, I think you should know my personal musical preferences so if they closely match (or are opposed to) yours, you can take that into account in evaluating my recommendations. I particularly enjoy the following artists, among others: Wilco, the Jayhawks, Spoon, REM, They Might Be Giants, Matthew Sweet, U2, Lyle Lovett, Kelly Willis, Patty Griffin, Miles Davis and most classical chamber music.

So there you have it -- my children's music philosophy in a nutshell. I hope you'll visit in the weeks and months to come as review children's music CDs and post some news on childrens' music.