Review: Folk Playground (Putumayo) - Various Artists

"Folk Playground is neither 'folk' nor 'playground' -- discuss."

The Putumayo label got its start a number of years ago putting together mix tapes for use in its clothing store. They have since abandoned the clothing store, focusing solely on music, and have developed a kids' music label, Putumayo Kids. The latest entry in the Putumayo Kids series of CDs is the 2006 release of Folk Playground, to be released on Tuesday.

The 33-minute CD may confuse folk purists while also confusing some parents new to the children's music scene. The key component in the definition of "folk" seems to have been whether or not acoustic guitar was included on the track. The "playground" songs -- "This Old Man," "Froggie Went A Courtin'," -- aren't necessarily "folk music" in execution (or, if they are, it sort of stretches the definition.) The term "Folk Playground" is marketing and stretches the definition of what's actually on here.

Now, if you are a devoted children's music listener, you may already have half the songs (or at least half the artists) already in your collection. The problem with the selections from the more familiar artists is twofold. In some cases, the selections are not very representative of the artist's work (Justin Roberts' "Roller in the Coaster," while a nice little song, is a less common type of song for him, compared to the rave-ups; Laurie Berkner has made a name for herself for her originals, not covers. Neither would be considered folk artists.) In other cases, the songs are more representative of the artists' overall work, but not necessarily a highlight from their catalog (Dan Zanes' "Hop Up Ladies," Trout Fishing in America's "Fill It Up," Elizabeth Mitchell's "Crawdad"). These songs are perfectly fine, but I could probably have come up with a half-dozen songs each that I'd've preferred to see on here. (I do think Brady Rymer's "It's All How You Look At It" is pretty good, though.)

Of the less familiar artists (kids' related -- Leon Redbone is hardly an unfamiliar artist), the clear standout song on the CD is Zoe Lewis' "Sheep," about her musings while seeing sheep from far above in an airplane ("I wonder what are you thinking as your little pink lips go round and round and chew / Does night time bring you dreams of spring, mutton, mint sauce, leg of lamb or stew? / (Sorry, sheep)"). It's a sprightly melody, sung with whimsy, and mixed with tin whistle, among other instruments. Forget about the less familiar artists -- it's the best song on the CD, period.

The album is probably most appropriate for kids age 2 through 8. You can download lyrics and listen to sound samples at Putumayo's page for the release.

In the end, after listing all my criticisms, you might be surprised to read that I like the CD. It's a case where the whole is greater than the sum of its parts. Putumayo's history as a mix-tape creator serves it very well here as Folk Playground is a CD which will serve as a very pleasant soundtrack to a session of coloring or game-playing. While there are few standout tracks here, the overall listening experience is nice.

Austin City Limits Festival: Hey, We're Humid, Too!

The Austin City Limits Festival announced their 2006 lineup today and it includes kids music artists you might know such as Sara Hickman, Terri Hendrix, Joe McDermott, Imagination Movers, and Asheba.

Take that, Lollapalooza!

And just as with Lollapalooza, there are a good 30-40 other artists worth your time.

The 2006 edition will be held Sept. 15 - 17. And, as an ex-longtime resident of Austin, I can assure you that it could (OK, will) be just as humid as Chicago in early August. But the pace is much more relaxed. And you're right around the corner from Chuy's Barton Springs location...

(Of course, I post this knowing that the idea of families flying to Austin for the weekend for a concert festival is a bit, erm, far-fetched for all but the most devoted and affluent. But still.)

Review: Gwendolyn and the Good Time Gang - Gwendolyn and the Good Time Gang

Released in 2003, the debut self-titled CD from Los Angeles' Gwendolyn and the Good Time Gang had its genesis in the 2000 movie Chuck and Buck.

Movies about stalking childhood friends 15 years later don't typically serve as the inspiration for forming a children's music band, but Beck drummer and music producer Joey Waronker asked unimonkered LA folk-rock singer Gwendolyn to contribute a song to the movie soundtrack -- out of that grew this entire album.

The entire album has the feel of a Saturday morning cartoon or kids' variety show. Gwendolyn sings with a somewhat high-pitched and nasally-pinched voice. In addition, there appear to be "characters" singing along on many of the songs (there are characters pictured on the CD case but the liner notes aren't clear). The entire thing just screams, "CUTE!"

As someone who tends to react allergically to cartoony voices and cuteness in general, I mentally prepared myself to actively dislike the album. It's a testament to the strength of the melodies and musical production that I can look past the characters' voices and focus on the melodic hooks.

Some of those hooks have lodged in my brain, and may never come out. "Anatomy" isn't much more than a spoken-word recitation of a whole bunch of body parts and their purpose, but the poppy chorus, "It's your anatomy," repeated nearly ad nauseum, is running through my head right now over and over. "Farm Animal Friends" has a nice loping country song feel to it. The song from Chuck and Buck, "Freedom of the Heart (Ooodily, Oodily)," isn't necessarily a kids' song, but it's got a kid-like feel and a very '70s pop sound and a chorus that goes "Oodily oodily oodily oodily oodily oodily fun fun fun." (I assure you, it's head-bopping.) The song "Little Monkey," for a character which appears to be an Elvis impersonator, has a suitably '50s Elvis-like sound. In addition to being catchy musically, the band (seven members in total) sounds good, too.

Lyrically, the 26-minute album deals squarely with typical preschooler concerns -- manners, sharing, washing, and bugs, among other things. The lyrics are direct ("Please" -- "When you say things with a smile / A little tiny inch becomes a mile / You can go far when you're cheerful / Because nobody likes someone who's tearful"). The earnest lyrics don't leave a lot of room for adult humor, but some sneaks in. (In the aforementioned "Anatomy," Gwendolyn mentions, "Hair / Everybody has hair / Well, except for my dad.")

Given the show-like approach of the music and lyrics, the album is most appropriate for kids aged 2 through 6. You can hear samples of music from their two albums and a full download of "Farm Animal Friends" here. You may want to double check that the characteristics of the CD I could see past you can see past, too. The album is available through their website or the usual online suspects.

Gwendolyn and the Good Time Gang had all the hallmarks of being a CD I wasn't going to like at all, but very quickly it wore down my defenses. It's a fun little CD with great melodies that's likely to engage your kids. Recommended.

Train Songs

In honor of the release of Dan Zanes and Friends' Catch That Train! (review here), I thought I'd list a few songs about trains for kids.

(Note: references to the Island of Sodor will be summarily deleted.)

(Last updated May 23, 2006)

"Catch That Train!" - off of Dan Zanes and Friends' (DZ&F) Catch That Train!, of course
"Choo Choo Ch'Boogie" - also try DZ&F's Catch That Train!
"Wabash Cannonball" - many, try DZ&F's House Party
"Guysborough Railway" - try DZ&F's Night Time
"Rock Island Line" - try DZ&F's Family Dance
A whole bunch of songs on DZ&F's Parades and Panoramas
"Freight Train" - try Elizabeth Mitchell's You Are My Flower, also (reader-recommended) on Enzo Garcia's Breakfast with Enzo
"Little Red Caboose" - many, try Elizabeth Mitchell and Lisa Loeb's Catch The Moon
"I've Been Working on the Railroad - many, try Laurie Berkner's version on Buzz Buzz
"New River Train" - try Raffi's New River Train
"Choo Choo Train" - try Ralph's World's debut Ralph's World
"The Little Engine That Could" - try the Hollow Trees' self-titled debut (sorry, Greg!)
-- Yosi also has a "Train Medley" on Under A Big Bright Yellow Umbrella that includes some (if not all) of the songs listed above.
-- Reader BethBC also notes that James Coffey has an entire CD of train-related songs called My Mama Was a Train.

I'm sure there are more, but this is a decent start -- if you post 'em in the comments, I'll add them above.

Song of the Day: Rockin' the Suburbs (from "Over the Hedge") - Ben Folds

Ben Folds has five songs on the soundtrack to the upcoming animated kids'movie Over the Hedge. The soundtrack, to be released tomorrow, includes "Rockin' the Suburbs."

I know what you're saying, you're saying "Rockin' the Suburbs?" Could there be a more inappropriate song for a kids' movie soundtrack? Was "Brick" somehow unavailable?

To be fair, Folds has written new lyrics for the song. In its original version, Folds takes aim at Limp Bizkit and their fans with lyrics such as

Let me tell ya'll what it's like
Being male, middle class and white
It's a b----, if you don't believe
Listen up to my new CD
Sham on

And it only gets more profane and more angry from there, until it ends in a fury of cheesy rap-metal. It all seemed a bit too much; making fun of Bizkit and the attitude of their fans (even at the time) was akin to shooting fish in a barrel. Sleepy fish in a barrel. It was overkill, perhaps, but amusing, and fully thought out in execution.

So now for this new movie, which tells the story of some timid wood animals facing an encroaching suburbia, Folds has turned his aim from 20-year-old white males to, er, soccer moms?

Let me tell y'all what it's like
Watching idol on a friday night
In a house built safe and sound
On indian burial ground
Sham on
(Rest of the lyrics are here)

From there, Folds turns his aim to cookie-cutter suburban development and how houses all look the same. It's as if he thought that five-year-old kids have a working knowledge of Jane Jacobs, enough to nod sagely at the critique. It's a song lobbed completely over the kids' heads at their parents, and, sadly, it's not telling us anything we don't know. (You either agree completely, or don't care at all.)

Now, the song also includes a bizarre voice-over by frequent Folds collaborator William Shatner, which must be in character (Shatner does have a part), as Shatner rails on and on in the persona of a slightly too nosy neighbor. Again, vaguely amusing for the adults, kinda odd for the kids. And, most strangely, the song ends in the same cheesy rap-metal that's part of the original, only now it's devoid of any context.

I really like Ben Folds, and I'm sure he was excited to help out with a kids' movie soundtrack (as he has at least one child of his own), but this is one song mostly likely over the he...ads.

You can check out the Over The Hedge soundtrack website (with radio) here. If you think I'm gonna link to a Limp Bizkit song, you're nuts, but if you go to the Ben Folds Five website and click on "Music," you can hear my favorite Folds song, "The Battle of Who Could Care Less."

This Week: Not Mellow

I was going to call this "Have You Never Been Mellow?," but any week which leads off with Ben Folds probably renders that description moot. Drop by this week for him and other artists, well-known and not.

Oh, and in case you missed it, here's my review of Dan Zanes and Friends' Catch That Train!, which is released tomorrow. Regular readers probably don't need to be convinced, but it's definitely worth your time and money.

Review: The Hollow Trees - The Hollow Trees

The Hollow Trees are a Los Angeles-based band who released their debut self-titled album in December 2005. Led by Greg McIlvaine and Laura Steenberge, the Hollow Trees drew inspiration from Dan Zanes in looking for ways to make family-inclusive music, making Zanes Pete Seeger to their Bruce Springsteen.

The Hollow Trees owes a debt to Zanes in a couple ways. Most noticeably is the inclusion of two songs covered by Zanes on his CDs -- "Polly Wolly Doodle" and the album closer "Buckeye Jim." Less noticeably perhaps, but more importantly, is the feeling of "let's get together and make a CD, and why don't you invite your friends" that permeates the disk. Now, Zanes clearly has more musically famous friends than the Hollow Trees (there's no Sheryl Crow on the Trees' version of "Polly Wolly Doodle.") But that doesn't make the Trees' version less fun. Indeed, my favorite cut on the album, their rollicking version of "Jack Was Every Inch a Sailor," sounds like there are about 15 people crammed into a living room with a microphone and would sound just great on a Zanes album. Songs like that, uproarious and boisterous, are where the Hollow Trees shine.

The rest of the album are faithful covers of other folk and bluegrass standards (some more familiar to me, others less so) done with care and competence. The originals (only 4 of the album's 17 tracks) are a mixed bag -- I liked "Forest Melody," which has a very 50's folk-rock sound to it and "Nelson," but found "Bunny Hop" to be a bit repetitive.

Like many folk/bluegrass albums, the notion of age-appropriateness is much less relevant than for other CDs, but I think that kids aged 2 through 7 would like this album the most. You can hear complete tracks from the CD at the Hollow Trees website, as well as order it there or from CDBaby.

The Hollow Trees is a fun album of folk and bluegrass for the entire family. If you don't care at all for folk and bluegrass, this album won't appeal to you. But for the rest of us, we'll enjoy the album just fine. Recommended.

Songs From Moms

Apropos of the "Songs for Moms" post from earlier this week, comes this NPR story.

I remember my mom singing snippets of German songs from her childhood. What do you remember?

Sing A Song of SteveSongs

Just wanted to point out that Bill at Spare the Rock announced today that SteveSongs would be appearing in-studio on his June 17 show. I've been told that Steve's latest album, Marvelous Day!, will be re-released by Rounder Records this summer. More details (and review) later this summer.

Anyway, kudos to Bill for getting both Steve and Milkshake to appear on the air with him.

Review: Catch That Train! - Dan Zanes and Friends

[To Dan Zanes and Salon.com readers -- greetings and thanks for stopping by. And check out the main site for tons more music for kids and adults. No, that's not an oxymoron.]

The short review of Catch That Train!, Dan Zanes' 2006 release and his fifth album specifically for kids and families is that it's like his previous family music album, but more so -- more musically diverse, more lyrical, more... everything.

The long review is... well... the thing is, after listening to this album so many times, I didn't want to write the short review, which might otherwise have just said, "It's like every other Dan Zanes CD -- it's great." So I went back to his first family music album, 2000's Rocket Ship Beach, to see if I could notice progression in Zanes' music that is harder to see from just looking at his last album, House Party. And a couple things struck me as I listened to his first and his latest CDs.

The first thing that struck me was how Zanes has gradually broadened his musical horizons since 2000. Six years ago, the debut's most adventurous musical step could very well have been the appearance of Father Goose (Rankin' Don) and his dancehall stylings. On Catch That Train!, Rankin' Don's appearance on "Choo-Choo-Ch-Boogie" almost feels safe compared to the rest of the album. The Blind Boys of Alabama on the gospel "Welcome Table," the Rubi Theater Company on the strutting "Walkin' the Dog," the forward-thinking Kronos Quartet on the retelling of the psycho-pet story "Grey Goose" -- they all come from diverse musical places and yet fit in perfectly on this disk. It's as if Zanes has released his very own Putumayo collection. Which is not to say that the stuff that's been around since Rocket Ship Beach -- Rankin' Don, the duet with Barbara Brousal ("Mariposa Ole," in Spanish, of course), and the duet with a female singer-songwriter (Natalie Merchant on the lovely "Loch Lomond") -- isn't there, and isn't great. Because it is.

The other thing that struck me was that the first CD seemed to me a collection of songs that Zanes really liked. The latest CD does seem to have a thematic cohesiveness to it, and it's not about trains. It's about community. "When we ride / We ride together," Zanes has written on the title track, and there is a strong sense of doing things together that runs through the album. Inclusiveness ("All God's children gonna sit together," from "Welcome Table"), neighborliness ("High and low, people that we know / They say 'Hey there,' and 'How’ve you been?'," from "Wander in the Summer Wind"), and a welcoming neighborhood ("Wherever you’re from / Know that you’re welcome / If you want to bring your family ‘round / To this moonlit town," on the album closer "Moonlit Town.")

Quite possibly my favorite song on the album is Zanes' "While the Music Is Playing," about wanting to linger in the neighborhood into the night, listening to all the different music in the air.

People gather all around the square
People laughing in the evening air
Swirls and mingles with the songs that brought us there
That brought us all there.

If that's not Zanes' ideal world in a nutshell, I'm not sure what is. The midtempo tune mixes a wistful chorus, brass band, and a backup singer count which eventually must reach double-digits to posit a world where community is paramount. (Its placement smack-dab in the middle of the album just before the pro-working-man "I Don't Want Your Millions Mister" can't be just random.) With Zanes entering the fray over a proposed Brooklyn development, these are no longer idle concerns for him.

As with all Dan Zanes albums, Catch That Train is for people of every age. But if I had to narrow down the age range, I'd call it ages 5 through 10. You can hear samples, etc., by following the links at Zanes' Catch That Train! page.

In the end, if you're at all a fan of Dan Zanes' music, you'll enjoy this album. (And if you're in the minority who don't, this album won't change your mind.) Catch That Train! is Zanes' strongest album to date, a celebration in music of the joys of family, community, and music itself. Highly recommended.

[May 19, 2006 Update]
Now that I've had the full copy of the CD and packaging for a few days, rather than just an advance promo copy, I wanted to add a few additional comments to the review.
1) The packaging is quite nice -- Zanes has replaced the book format of his previous kids' CDs with more of a foldout design similar to which he employed on Parades and Panoramas. The entire design is thought out quite well (the title, "Catch That Train!," is actually the very end of a sentence that runs through the entire physical package).
2) Lyrics! Chords! The presence of these two things in the liner notes only makes the absence of them in previous albums that much more stark. Again, Zanes had started doing this with Parades and Panoramas and Sea Music, but their presence here is very welcome (especially for an artist so enamored of public singing). And, Zanes' comments in the liner notes are useful, too. (Not to mention finding out little things like Warren Zanes plays guitar on "Mariposa Ole.")
3) The video for "Catch That Train!" is OK, but nothing special. Dan Zanes plays around in his apartment while a tiny little animated train drives around. The scene where Zanes looks at a comb by his sink, then shakes his head as if to say, "naaaah," did make me laugh, though.

So, there you have it. And if you don't (have it), why not?

"Because Dan Zanes would sure make one funny-looking Wiggle"

I was browsing the Parents Choice website just yesterday, and this article concerning the selections of their Spring 2006 music award-winners hadn't been posted yet. Devon points it out today. (Look for more reviews of some of the albums on the list in the weeks ahead right here.)

Also of note is an interview with XM Kids' Director of Children's Programming Kenny Curtis, who comments on the current state of children's music. My favorite part of the whole piece:

PC: Any Other Reason To Keep Promoting High Quality Kids
Music?
KC: Because Dan Zanes would sure make one funny-looking Wiggle.

Finally, I had meant to post this anyway -- Richard Perlmutter of Beethoven's Wig fame has 10 tips on "How To Get (and Keep) Your Child Excited About Classical Music." It's a good article, worth a read, but I would argue that his tips apply to all music, not just classical:

Start With Music
Mix It Up
See Music
Identify Instruments
Make Connections
Dig In
Take Music Lessons
Listen With Them
Make Up Songs
Do It Again (Repetition, Repetition, Repetition)

There is absolutely nothing in that list that should be restricted to classical music alone.

I Hear The Kids (Music Artists) Love This MySpace Thing

Did you know Gustafer Yellowgold has his own MySpace page? And blog? Who knew he was a Ween and Sun Kil Moon fan? And does he have latent cheese anger? (The blog, while not inappropriate, is really for the adults, not for the kids.)

You can also check out his music page, from which you can stream 3 songs, including a new track, "Rocket Shoes," which is a sparse, melodic track reminiscent of the first DVD's songs. Stills from the upcoming DVD are also available.

Incidentally, the Hollow Trees also have a MySpace page. But it's not quite as... different... as the Yellowgold pages.

Songs for Moms

Here's a list of songs for mothers or songs about mothers, in no particular order. I've avoided lullabies (songs by moms, typically), as well as songs about general parentual units, or songs about moms and dads.

If a song isn't on the list, it's because of one of the three "O"s: Oversight (I knew about the song and just forgot), Omission (I knew about the song and chose to exclude it), or Obtuseness (I didn't know about the song at all). I expect the third category to be fairly large, so feel free to add your suggestions in the comments section. And most (if not all) of these CDs are reviewed here, so if you're not familiar with a CD, look at the review sidebar to the right.

(By the way, Fran had the same idea and got there first, but between the two of us, I think we ought to come up with a decent mix CDs.)

******************

"Mama Don't Allow" -- numerous versions; try Brady Rymer's version off of Every Day Is a Birthday
"Mama Hug" -- Brady Rymer, Every Day Is a Birthday
"Mama Is Sad" -- Justin Roberts, Yellow Bus (it's a song about divorce, so I'm guessing it's not gonna go on too many mix tapes)
"Five Little Ducks" -- try version on the Old Town School of Folk Music's Songs For Wiggleworms
"Thank You Mommy" -- The RTTs, Turn It Up Mommy!
"The Coffee Song" -- Ralph's World, At the Bottom of the Sea (not really about moms specifically, but it was the first song that came to my wife's mind when I mentioned the topic of the post)
"Hush Little Baby" -- try version on the Old Town School of Folk Music's Wiggleworms Love You, though it's just as often that Dad is the person buying baby that billy goat
"Mother and I" -- Bill Thomas (and a Circle of Friends), Time Can Be So Magic

Review: I Am Your New Music Teacher - Parker Bent

With many children's music albums struggling to crack the 30-minute mark, defining the length of a children's music EP is a tricky proposition. At just under 19 minutes long, the 2005 debut album from Los Angeles-based musician Parker Bent is either a long EP or a really short full album. Still, Bent packs a surprisingly diverse group of songs into the short runtime.

Bent is a preschool music teacher in Beverly Hills, California, and his subjects -- the alphabet, numbers, or pets, for example -- will be very familiar to preschoolers or their parents. One of my favorite songs on the album is the gentle pop-rock tune "I Wanna Go Home," about a preschooler who's reached his or her sensory limit, is tired, and just wants to go home. My other favorite track is "Count On," whose melody and fuzzy-guitar-and-handclap instrumentation reminds me of the rootsier "Tuesday Night Music Club"-era Sheryl Crow.

The vocal harmonizing on the brief acappella leadoff track "AAA" is totally different from the the above songs, but a nice bit of musical styling nonetheless. The humorous storytelling stylings of "I Am Your New Music Teacher" may be over the heads of the 3-year-olds in the audience, but with Bent playing the role of a controlling music teacher, his snarled lyrics, "We will not have any singing / We will not have any dancing / Instead I thought we'd spend / The entire music class / With everybody sitting in timeout" made me smile. The entire album has a gentle, albeit sly, sense of humor.

The album will probably be of most interest to kids age 3 to 6. You can hear samples of the CD and purchase it at Bent's CDBaby page. It's also available on iTunes Music Store.

Regular readers of this website will probably find at least one or two tracks worth checking out on the album. Even with its short length, the album shows Bent's promise as a children's songwriter and musician. Should Bent ever decide to release a double album (at, say, 38 minutes in length), it could be very, very good.

New Ralph's World Song Streaming Online. Sort Of.

What do you get when you cross Piglet (Winnie-the-Pooh's best friend) with a snippet of the new Ralph's World song for Winnie the Pooh? Sniglets, of course!

Sorry, couldn't resist.

In any case, the website runs a clip of the new Winnie-the-Pooh song from Ralph's World. To me, it sounds a little more like the early Ralph's World stuff (in particular, "Animal Friends" off his debut).

Oh, and the page gives confirmation that the new Ralph's World DVD/CD set will be released this fall. I'd heard/seen that elsewhere, but it's nice to get confirmation on that.

Hat tip to the Semi-Official Ralph's World Message Board for the pointer.

This Week: Coast to Coast to Coast

This week at Zooglobble, we're going from LA to New York (with a review of Dan Zanes' Catch That Train!) and back again. See -- we exhibit both East Coast and West Coast Bias! (I can do the Chicago thing -- Justin Roberts and Ralph's World -- only so often. Though there are more reviews coming from those two, too.)

Also, it's been just over a month since the NPR interview that sent many of you here. Thanks again to everyone who's read, commented, e-mailed, or linked here. Also, many thanks to all the artists who have sent me their CD or DVD. I'm still working my way through them all, and while I won't review all of them here, I've got a lot of reviews (and other things) lined up in the weeks ahead.

Finally, here are links to a few posts in case you missed 'em the first time around.

Frances England's Fascinating Creatures -- review, interview
Lunch Money's Silly Reflection -- review
Bruce Springsteen's We Shall Overcome (The Seeger Sessions) -- review
Gustafer Yellowgold's Wide Wild World DVD -- review
Anne Hathaway's "Great Big World", from the Hoodwinked Soundtrack -- review. Goodness, there are lots of people wanting lyrics and mp3s for that song. (Too bad I don't actually have the lyrics or mp3s.)

Thanks again for reading.

Review: Beethoven's Wig 3 - Richard Perlmutter

Classical Music Geek Test: I took piano lessons as a child.

I'm sure many of you are thinking, Hey, I took piano lessons as a child. Lots of people take piano lessons. That doesn't make you a classical music geek. Yes, but...

I took piano lessons to strengthen my fingers for my organ lessons.

No kidding.

Between organ, piano, and violin lessons, I had a reasonably musical childhood, primarily focused on classical music. And although I only play the violin now on a semi-regular basis, I still enjoy listening to classical music.

So it's with that background I'm reviewing Beethoven's Wig 3: Many More Sing Along Symphonies, released in May 2006, the 3rd (natch) in the popular Beethoven's Wig series from Richard Perlmutter. The concept of the series? Take famous classical melodies and write (or re-write) lyrics for the melodies. Instead of the lyrics from an answering machine tape ad from many years ago ("No-bo-dy's HOME... no-bo-dy's HOME..."), Perlmutter in his first CD matched the famous notes from the first movement of Beethoven's Fifth Symphony to the lyrics, "Beethoven's WIG... Is very BIG..."

In his first CDs, Perlmutter's lyrics focused on the composer, matching a composer's famous piece(s) with lyrics tied to the composer. Recognizing that perhaps he'd have to dip back into a particular composer's well once too often or go to composers whose few outside the classical music world would recognize, on Beethoven's Wig 3, Perlmutter ties the lyrics to particular instruments. Sometimes the resulting effect is great -- the unknown (to me) Beethoven work for mandolin is given lyrics suggesting that Beethoven wrote the song for a girl who done him wrong, breaking his heart so much that he never wrote for the instrument again. It's a delightful, sprightful piece with lyrics to match. Handel's Harp Concerto in B-flat and the very beginning of Rossini's "William Tell Overture" (before the "Lone Ranger" part) are two other successful matches. And the paranoid, almost non-sensical lyrics of "They're There," rewritten from Dukas' "The Sorcerer's Apprentice," though having nothing to do with the bassoon, are amusing.

In other cases, though, the lyrics don't match up as well. And I found the "Short & Suite" -- very short pieces in the middle of the disc -- went by too quickly to make much of an impact. (Even the longer pieces are typically excerpts from movements, not the full movement.)

Musically, it's appropriate for kids of all ages, of course, but the lyrics, given their complexity and speed of enunciation, probably make this most appropriate for kids aged 4 through 9. The disk is actually pretty short (about 33 minutes), and that includes the original instrumental versions for every piece on the album. (I guess you could even sing the Perlmutter lyrics karaoke-style if you wanted to.) The liner notes also have trivia questions and suggested activities. You can hear excerpts of the pieces at the Beethoven's Wig website. The album is available at the usual online and offline suspects.

I'm a believer that if you want your child to develop an appreciation for classical music you should just play the actual pieces of music. But if you don't have a classical music background, this series is a fine starting point. (And even if you do, it's a good starting point.) And while perhaps the first two albums had a slightly higher ratio of familiar-to-unfamiliar pieces, Beethoven's Wig 3 still has a fair number of selections familiar to somone whose exposure to classical music is mainly through movie trailers and television ads. You may find yourself just as interested in the music as your kids.

Review: Turn It Up Mommy! - The RTTs

Straight-ahead rock-and-roll is somewhat of a rarity in children's music. More common is a more pop- or folk-based approach. Sounds more appropriate, perhaps, for the playroom or coffeeshop.

Turn It Up Mommy!, released in late 2003, is the first children's album from the Washington, DC-based RTTs, who lead a double life as the Rhodes Tavern Troubadours, an "adult" rock and roll band. I'm not sure if that makes them a bar band (it seems a bit pejorative for a band with considerable musical talent), but whatever you call them, they've produced a fine little kids' music album.

Musically, the album gives no indication that it's geared towards kids. If you could turn the lyrics off and just listen to the music, you wouldn't know it was a children's music album. It's rock-and-roll that will be familiar to listeners of American rock dating back to the '50s. Of particular note is the guitar work, with a wide variety of styles, from the "surf guitar" heard on the ode to lifeguards "My New Hero" to the Chuck Berry stylings on "Turn It Up Mommy" to the roots-rock Jayhawks/Tom Petty "Rainy Day." The band sounds really good together and shines under the fine production.

The lyrics are geared for the most part to the kids and subjects near and dear to their heart -- learning the alphabet ("Learning My Letters"), pets ("Boofa"), and on the peppy opening cut, "Snack Time," which includes some classic lines -- "Well, who made juice in a box / Who made cheese in a stick / Who made little tiny crackers / That look just like goldfish / I want to shake their hand / Pat them on the back / 'Cuz they made all my favorite snacks." A couple songs are targeted at the parents -- I doubt that any kid really has ever complained about their parents doing taxes as in "April 14th" -- but even in those cases, singer-songwriter Jake Flack tries to write about the subjects from a kid's point of view.

I think the album's probably best for kids aged 4 through 8. You can listen to samples and order the album from the band's page at CD Baby. All in all, this is a solid little 27-minute album, of particular interest to fans of blues- and roots-rock like the artists mentioned above, or perhaps John Hiatt or the Fabulous Thunderbirds. But even if you lean toward more pop- or folk-oriented artists, you'll certainly find a few tracks worth your time here. Recommended.

Three Exciting Words: New. Elizabeth Mitchell. Album.

[Read the review of the album You Are My Little Bird here...]

Or is it four? (Really, are full names one word or more? Any grammaticians out there? Any wordsmiths want to say if "grammaticians" is an actual word?)

In any case, Elizabeth Mitchell, one of the best children's music interpreters out there, announced via newsletter that she'll be releasing her new album in August. It's nice to have the news confirmed by the source.

Perhaps we'll have a "You Are My..." name-the-album contest...

Dan Zanes, Auteur?

Speaking of videos, I doubt Dan Zanes directed any of these, but it looks like he's adding a bunch of videos to his website. They're not all there yet, but a few from his All Around the Kitchen DVD are there right now.

Call him a producer then.

Chicago in August? Sure, It's Humid, But...

... it's got Lollapalooza. Although Kidzapalooza's website is mum, Lollapalooza does list a few children's musicians, including Justin Roberts, Candy Band, the Q Brothers, Peter DiStefano, and Chicago's much-revered Ella Jenkins. More are certainly on the way.

Oh, and if you don't like those artists, there might be a few others of interest in the main lineup. You know, like 30 or 40.

Lollapalooza is scheduled for August 4-6, 2006, in Chicago's Grant Park.

New Noggin Videos for Old Songs

News from the Justin Roberts newsletter that Noggin will begin airing videos for "Willy Was A Whale" and "If You Got 1" next week. Fran also notes that Buck Howdy will have videos airing on Noggin soon as well.

So soon you can watch these videos (which appear to be new, or at least they're not on their respective websites) where they were meant to be seen. On TV, not on a computer. When you were watching A-ha's "Take On Me" video on MTV 20 years ago, did you ever think you'd be watching videos. With kids. Of yours. On a cable channel specifically for those kids. And that that channel would air more videos than MTV?

Interview: Frances England

After listening to Frances England's debut album Fascinating Creatures, I thought she would be a great artist to kick off an occasional series of interviews here on the website. I wanted to find out more about one of the most unique children's music albums I've heard in quite some time and the artist behind it.

England graciously agreed to the interview, even admitting that it was a "great excuse to stop studying." (Hey, anything I can do to help. I remember my own graduate school days.) Thank you very much, Frances.

This is a long interview, but worth your time.

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What sort of musical background or experience did you have prior to recording the CD?
I started playing the violin when I was young but slowly gave it up as I hit my teens and started playing guitar in college. I’ve never been in a formal band but have always enjoyed sitting around singing and playing music with people (mostly around campfires or at small parties and get-togethers).

What led you to recording Fascinating Creatures?
A couple of different things. After my son was born I started collecting kid’s music and for the most part was pretty disappointed in what I was finding (this is of course before I knew about cool blogs like yours that shine a bright, guiding light on this genre of music). [Ed. note: I swear, I made no request for such a comment.] Slowly, I started replacing the stuff I loved listening to – indie artists and bands like the Postal Service, Sufjan Stevens, M. Ward – with the Wiggles and Raffi. Don’t get me wrong, I know there is value in some of that stuff and Liam is a huge Wiggles fan but it wasn’t the type of music we could genuinely enjoy together. So I started writing songs that I hoped would appeal to both of us.

The other thing that led to me recording Fascinating Creatures was the fact that Liam goes to a cooperative preschool, which is a nonprofit and counts on its member families to raise a certain amount of money each year. Rather than ask friends and family for donations I decided to make a cd and sell it as my fundraiser.

Did you write the songs with your son in mind?  Were there particular songs that grew out of your experiences with him?
Most of the songs on the album definitely have Liam’s name written all over them – Tricycle, Busy As A Bee, Charlie Parker, Books I like to Read, and Blueberry Pancakes come to mind immediately. I also wrote the last song, Little Bright Star, as a love song to him. Liam definitely inspired the themes, but I also think the things he’s interested in as a 3 year old are pretty universal at this age – what 3 or 4 year old doesn’t like digging in the dirt or spinning around on a trike?

Does Liam have a favorite song on the album
It’s a toss up between Charlie Parker and The Books I like to Read.

You mention (among others) Cat Power and Yo La Tengo as artists you enjoy listening to.  Did you have particular artists or songs in mind as you recorded the album?
As I was writing the songs, I wasn’t consciously thinking about wanting to sound like any particular artist or band. As we began recording though, I did catch myself thinking that I wanted the title track to have a sort of Yo La Tengo feel and wanted Galaxie 500-like guitars on “Books I like to Read.” Also, I am a huge Gillian Welch fan and was listening to her a lot when I wrote some of the more folksy songs like “Paint a Picture,” “Where Do They Go” and “Blue Canoe.”

One of the songs I really like on the CD is "Charlie Parker" -- do you have a favorite jazz artist or three?
My husband’s parents are big-time jazz lovers so they’ve turned us on to some great music. Aside from the four masters I mention in the song – Charlie Parker, Miles Davis, Ella Fitzgerald and John Coltrane, I also really love Billie Holiday and Sarah Vaughan, and lesser known jazz violinist, Eddie South.

What are your (and your son's) favorite books to read?
I’m in graduate school studying library science so, unfortunately, the only adult books I get to read these days are textbooks. But Liam and I read lots of great books together everyday. At the moment, the top five picture books at our house include: 1.Man On the Moon, A Day in the Life of Bob, by Simon Bartram (superb!), 2. In the Night Kitchen by Maurice Sendak, 3. Polka Dot Bats and Octopus Slacks by Calef Brown 4. Richard Scarry’s Cars, Trucks and Things That Go, and 5. Children Just Like Me by Anabel and Barnabas Kindersley.

All 13 songs on the album are originals -- did you consciously decide that you didn't want to record traditional songs (or songs by other artists)?
Although I love traditional songs, I didn’t cover any because I had a lot of my own songs to choose from. When we started recording, I’d probably written 20 or so songs but because of the limited time I had to record, I decided to narrow it down to the 13 that appear on the album.

Was there any particular reason why the songs that made the album got picked over the rest?
For the most part, they were the first batch of children’s songs I’d written so I’d spent more time practicing them then some of the others.

Which is harder for you to write -- music or lyrics?  Why?
I tend to come up with chord progressions and melodies first and then add lyrics on top of them. Often a song just spills out…I think I wrote Tricycle in about 30 minutes. I don’t really have a hard time writing these kinds of songs…It’s a lot more difficult for me to find the alone-time that is sometimes necessary to get into a creative space and mindset (I think every parent can relate to that!).

So when did you find the time to write?
Funny enough, a lot of these songs were written in our bathroom as Liam was taking his night-time baths. Maybe because of the acoustics of the bathroom, Liam has always really enjoyed me playing music to him there while he soaks and splashes in suds. I love it too as it’s a great way to wind down the day for both of us. I also got some time to myself to polish up the lyrics when my husband took Liam on a couple of overnight trips - camping and to Grandma’s house.

I'm assuming this was your first recording experience.  What did you like about it?  What didn't you like?  What took you by surprise?
I recorded Fascinating Creatures with my husband’s cousin, Billy Riggs. We met 6 or 7 times and did it all from his apartment in San Francisco. For the most part it was really fun and Billy was really great to work with. The thing that probably most surprised and disappointed me was how technical and computer-driven so much of it is. Maybe from watching clips from old Sun Studio recordings, I think I had this romantic vision of what the whole recording process looked and felt like. But in reality there’s a lot of sitting in front of computers. Of course I say this knowing that I would have never been able to afford to make this album were it not for this kind of home-use technology.

You mention being "slowly driven mad" by your son's music collection.  Are there any children's or family musicians that you do like?
I think Dan Zanes ROCKS! I really love him – not only his music, which I think is fabulous, but also his whole emphasis on strengthening community through song, dance and music. I’m also a really big Elizabeth Mitchell and Ralph Covert fan. Through sites like Zooglobble I’ve just recently discovered more kids music artists that I’m looking forward to checking out.

How much of your music collection do you play in front of your son?  Is there anything you won't let him listen to?
Liam listens to pretty much everything we do but definitely let’s us know when he’s not happy with our selection. Also, if I know there are bad words in certain songs, we skip those when he’s around.

What are his favorites ("kids" or otherwise)?
Liam loves Dan Zanes, Elizabeth Mitchell and Ralph Covert as much as I do. In terms of adult music, M. Ward is tops with Liam, but the Magnetic Fields, A.C. Newman, and the Old 97’s are close behind. He’s also really into Nat King Cole, the Carter Family, and Gene Autry’s cowboy songs.

What's next for you and the album?
Well, I’m having a baby this summer so I’m looking forward to slowing down a bit and helping this new, little person grow into our family. In terms of this album, who knows. I’m honestly really surprised at how well it’s doing and am still shocked when I find out complete strangers are buying and listening to it. Word of mouth has been huge in helping spread the word so I’m hoping that friends will keep telling friends to give it a listen and check it out. Since I released Fascinating Creatures I’ve written quite a few songs so I’d love to put out another album in the next year or two.

Any interest in performing publicly?
I play every week at Liam’s school and also do occasional birthday parties for friends, which for now is enough. I’d love to get into doing more performances but with Liam, a new baby fast on the way, and trying to wrap up grad school, I feel like my plate is full. In the next year or so though, I’d love to devote a lot more time to the performance side of things.

******************

Again, thank you to Frances for sitting down with me (in a virtual manner) and setting the interview bar very high for this website. Again, check out Frances' website for more info.

DVD Review: Gustafer Yellowgold's Wide Wild World

An innocent wandering through the world is hardly an original concept for a story. The Who's Tommy, for example, or countless first novels.

To say that Gustafer Yellowgold's Wide Wild World borrows the concept, then, is no knock on this "Musical Moving Book," as it's called. The concept may be borrowed, but the execution is quite unique and wonderful.

Gustafer Yellowgold is the brainchild of New York-based songwriter and illustrator Morgan Taylor. Taylor has previously self-released several CDs but here has combined his songwriting talents with his illustrating skills to produce a concert which combines live music from Taylor and a small band of musicians with illustrations projected on large screens. It's the music and illustrations behind this live "moving book" which are captured here on the 24-minute DVD. There isn't much of a plot; it's more of a series of character sketches.

Gustafer is an alien from the sun who tells his story of life on the sun in the opening song "I'm From the Sun." It's an uptempo number which shows exactly how difficult life can be on the sun. ("No snowflakes on the tongue" is one of the complaints.) It's a jangle-pop tune with bongos, giving it a little Guster-like feel. The best song on the DVD is the concluding "New Blue Star," which is about, well, a new blue star, but could just be easily interpreted as a love song -- it's a gentle midtempo rockersworthy of Matthew Sweet in his less guitar-focused work (think Blue Sky on Mars without all the synthesizers). Another one of my favorite tunes is "Pterodactyl Tuxedo," a friend of Gustafer's who may be exasperating at times but is also a true friend ("He's always had the time / To pick up the phone / When you're calling way too late / He's always been the kind / To help you pickin' bones / When your faith begins to fade.") The music is hard to peg, but besides the bands listed already, there are hints of the Beatles (in the slow songs), World Party (yeah, a Beatles tribute band, virtually), and the Flaming Lips.

The lyrics here make it sound rather serious, and there's an undercurrent of sadness in Gustafer's story. His eel Slim ("Your Eel") will leave one day. The "Mint Green Bee" is sad and cries. But that sadness is leavened by the whimsical illustrations. This isn't really animation; particular animations are moved around the screen to give a primitive sense of animation. It might not sound compelling, but it's quite engrossing. It's used to particularly good effect in the surreal, vaguely They Might Be Giants-like "I Jump On Cake" ("I jump on cake from up above / I step on pie so warm and lovely / It's mine to punt, vanilla bundt / All freshly baked, I'm on your cake"). A picture of Gustafer moves (with blinking eyes) from up above onto a tempting cake. Pies explode like fireworks.

I'm always one to find nits to pick, and the only thing I can come up with here is that it's a DVD only. Perhaps in the future they'll consider bundling the DVD with an audio-only CD. Other than that, it's great. The album is probably best for kids age 3 through 8. You can see (and hear) video clips from "I'm From the Sun" and "Your Eel" here. You can purchase the DVD from the Gustafer website. Of note as well is the ability to sing along with the video, karaoke-style -- not sure how popular that will be, but since the videos all have the words on the screen, it's not inconceivable that it'd be used.

Gustafer Yellowgold's Wide Wild World is a work of great creativity, visually and musically. It's definitely worth your time to check it out.

This Week: Aliens, Springsteen, and a Zooglobble First

The new Bruce Springsteen album I was so excited about I already reviewed it, but I've got some other cool stuff lined up this week. Regular readers will enjoy it, I promise.

Irregular readers might too, but I offer no such guarantees.

Review: We Shall Overcome (The Seeger Sessions) - Bruce Springsteen

We Shall Overcome (The Seeger Sessions) is Bruce Springsteen's children's music album.

Or, at least, it's as close as we'll ever get.

I have listened to Springsteen's newest album several times since picking it up on Wednesday, inspired by this NPR story. The story led me to believe that the songs, culled from folk musician Pete Seeger's songbook, could be just as appropriate for 4-year-olds as they would be for a 54-year-old.

There are plenty of other reviews of the album which approach it from an adult's perspective. My goal here is to talk about the album's appropriateness for kids.

Springsteen collects a whole host of musicians (17 in addition to himself) to play a wide variety of folk songs and spirituals in styles ranging from bluegrass to Dixieland. Perhaps the most notable aspect of the entire enterprise is the obvious sense of joy Springsteen and the band takes in playing these songs. The idea that people should get together and just sing and play isn't new to children's music (hello, Dan Zanes!), but it certainly gets a forceful endorsement here.

The songs that end up working best, then, are those songs which allow the band to let loose and play. "Old Dan Tucker," even though it's a song about a man who "got drunk and fell / In the fire and kicked up holy hell," is guaranteed to end up in my list of top 10 children's songs in 2006. It's played with bluegrass style and verve and had our entire family dancing. (Well, except for the nine-month-old. It's a great song, but not miraculous.) The Cajun stylings of "Pay Me My Money Down," in a version more umtempo than Zanes' version, give it an extra kick, fun for dancing. It's also the one song where Springsteen allows himself the barest hint of a modern-day reference (if you're using a computer, you'll recognize it). It's a testament to the enthusiasm Springsteen brings to the song that the thought Springsteen is a man who has his "money hauled in, in crates" barely crosses one's mind.

Where kids might not like the album as much is in its slower songs such as "Shenandoah" (in which our daughter during the extended intro, said, "Go back to the one with words.") As much as it pains me to say it, the version of "We Shall Overcome" on the album (recorded and released about eight years ago) is not much fun to listen to. And the extended instrumental soloing, even in the uptempo numbers, may or may not interest the kids.

Taken as a whole, however, this is a pretty amazing album from a man who is one of the few popular musicians even attempting modern folk music. ("The River" is one of the finest folk songs written in the second half of the twentieth century and The Rising, while not perfect, is still the best musical attempt to talk about the events of 9/11.) Parents will be able to use the songs to talk about a whole host of social issues -- economic justice, war, civil rights. And they may even, like I am now, be inspired to track down the original Seeger recordings. (Or just go to this website.)

I think kids age 5 and older may be best positioned to enjoy the lyrics and ideas raised by the songs. (Though, as I said, "Old Dan Tucker" is a stone-cold classic for all ages.) The album is available just about everywhere, of course. (You can listen to samples at Springsteen's site.) The album comes in the DualDisc format which has problems playing in some computer and car CD players (somebody needs to write a protest song about that); the documentary on the DVD side is just OK, but the two bonus tracks on the DVD side, "Buffalo Gals" and "How Can I Keep From Singing," are well worth the time to listen to.

Final thoughts: This is a great album. As an album of "old-time" music, it's much more cohesive than the O Brother, Where Art Thou? soundtrack. (Along those lines, I wouldn't be surprised if this is the album that finally gets Springsteen his Best Album Grammy next year.) Your kids' enthusiasm for the album may flag during its 60-minute runtime, but they're likely to enjoy most of it as well.

Review: Eat Every Bean and Pea on Your Plate - Daddy A Go Go

The list of stand-up comedians who tried their hand at becoming musicians is long -- Eddie Murphy, Joe Piscopo, and Bill Cosby, for starters. The list in the other direction -- musicians becoming stand-up comedians -- is much shorter, if it exists at all. There is, after all, a fine line between stupid and clever.

John Boydston, who will release his fifth Daddy-A-Go-Go album, Eat Every Bean and Pea on Your Plate on May 2, 2006, may not be appearing at the Improv next week, but he does have stand-up tendencies. Ad libs, puns, humorous vignettes -- all make an appearance on the album.

Boydston's singing approach is somewhere on the tunefulness spectrum between Lou Reed and Craig Finn from The Hold Steady, in which he talks as much as sings. I didn't mind so much, because the it's not too out of sync with the music itself, which is straight-ahead, well-played guitar rock. (Your mileage on his vocal stylings may vary.) Perhaps "For Those About to Walk, We Salute You" doesn't sound quite enough like AC/DC to merit its title, but it's a fun little ditty that encourages walking without any sappiness. "Eat Every Bean and Pea on Your Plate," is a bluesy rocker that isn't much more than a listing of vegetables with ad-libbed jokes ("Okra! I love her show!") liberally sprinkled throughout.

The best tracks are those in which the humor is curbed a bit -- the aforementioned songs, the reworked cover of the Ramones' "Blitzkrieg Bop" (on which Boydston's 14- and 11-year-old sons play bass and drums), the two instrumentals. Less successful for me were "Hang Up and Drive," in which frustrations with drivers who talk on their cellphone will completely go over most kids' heads, and "Pink Floyd Saves Hugh Manatee," in which the guest singer sounds just like Boydston and the song sounds nothing like Pink Floyd. And I found the earnest cover of "Listen To The Flower People" from the classic mockumentary This Is Spinal Tap to be completely unnecessary, but maybe that's because I've got 20 years of associations with that song. Your child probably won't recognize the "Stonehenge" references you make afterwards, but that's your (or at least my) problem.

The album is probably best for kids age 5 through 10. You can hear samples and read lyrics (without Boydston's many ad libs) here. The album is available at the Daddy A Go Go website and at online retailers, and possibly at some retail locations.

In sum, maybe the best way to determine whether or not you'd like the album is for you to decide whether you like Jimmy Buffett. Don't misunderstand me, the album doesn't sound anything like Buffett, but it does have a very Buffett-like vibe. If you think Buffett is a joke and can't stand any of his songs, you won't like this. But if you understand where Buffett is coming from and don't mind the occasional Buffett song or album, you and your kids will enjoy listening to this.

I Found It! (The Website, That Is)

Welcome to readers of Brady Rymer's newsletter, which mentioned this site and my recent NPR appearance in its most recent edition. (Thanks, Brady!) Please take a look around, check out the links and reviews there on the right, and stop by anytime. We add new stuff on a regular basis. Glad you're here!

Song of the Day: Wake Up - The Ditty Bops

Last night I went to an open house at the school where our daughter will be attending kindergarten in the fall. The youngster was a bundle of nerves -- so hyper that a brownie and ice cream calmed her down. I was trying to encourage her to say hello to her (prospective) teachers, to look around, but she just bounced off the walls with her friends. I can tell she's really going to enjoy kindergarten (she went nuts -- or more so -- in the music room with all the instruments out), but there is also the realization that she's reaching another milestone.

Let's start the "Song of the Day" with the "adult" song -- "Wake Up," off the Ditty Bops' eponymous debut album. The Ditty Bops write wry folk-rock songs -- think Suzanne Vega perhaps, but somehow "Wake Up" got played on XM Kids one day. Perhaps this is why:

"Don't cause a scene / Mind your manners / Speak only if spoken to / You know what you are not do / Watch and learn
What if you never were short for time / All meetings cancelled clocks stopped at nine / Without alarms the silence beams / Watch and learn"

Yeah, OK. Kinda makes me wonder about all those boundaries we're setting. Would it really be so bad if the kids ran around outside until late at night? (Please don't answer that.) The lyrics are written to get adults to look at their own lives, but it's raising questions for the parents out there, no?

For a similar perspective, but targeted much more at the parents, check out Brady Rymer's "Dilly Dally Daisy," which, in the midst of a song about a cute but perhaps frustrating-to-the-parent daughter, includes these lines:

"Oh man, I wanna let her go
And see the world her own way, ya know?
'Cause pretty soon they're gonna get her in line
They'll say, 'Stand up straight! Tuck in your shirt!
Know where you're going and get there on time!' "

Those lines will go right over the head of the 4-year-old and right to the heart of the parent.

There aren't a lot of songs about how one chooses to be a parent. Those two, one accidentally, one on purpose, are two of the few.

Listen to "Wake Up" here. Listen to a clip of "Dilly Dally Daisy" here.

Baseball Songs

I don't like to change posting dates, but I'm adding so many songs here, and this predates the time a lot of people started visiting the site, so I'm making an exception here. A foolish consistency is the hobgoblin of little minds, or something like that. Originally posted April 2, 2006. Last revised May 16, 2006

I'm ignoring the fact that the baseball season is one game old. Baseball starts Monday, during the day, and nobody can tell me otherwise.

There are very few sports-related children's songs that come to mind. I can understand why, as sports like football and hockey require a lot of equipment and are typically for older kids (this is especially the case for football). Basketball and baseball are easier to play, perhaps -- less equipment, introduced at an earlier age. Since the major sports typically become mostly a spectator sport as we grow up, perhaps it's good that there isn't much children's music about sports since a song about watching other people do something is kinda depressing as a kids' song. (It does make me think that the genre of children's soccer songs is a niche waiting to be filled.)

In any case, the list of songs about baseball for all ages is reeeeeeaaaaalllllllly short. (OK, not so short anymore) Here goes:

-- "Take Me Out to the Ballgame" (well, duh) -- try Wiggleworms Love You, from the Old Town School of Folk Music (nicely bipartisan, cheering for both the Cubs and White Sox)
-- "Baseball Dreams" -- off At the Bottom of the Sea, by Ralph's World (Cubs all the way in this one)
-- "I'm Gonna Catch You" -- off Under a Shady Tree, by Laurie Berkner (it has one relevant line -- "So I jumped into Saturday / And I had a baseball batter-day" -- yeah, I'm really reachin' here)
-- "Centerfield" -- off Centerfield, by John Fogerty (not kids' music, but a great song anyway)
-- "Talkin' Baseball -- off countless albums by Steve Cashman, who just re-records and updates his song -- baseball history lesson in 3 minutes
-- "Big Train" -- off the RTT's Turn It Up Mommy!, as noted in the comments. About Walter "Big Train" Johnson. I'd probably disagree that he's the best pitcher ever, but that's another blog. Good song.
-- "Right Field" -- Peter, Paul and Mary. Again, see the comments.
-- "Cryin' in the Dugout" -- off Daddy-A-Go-Go's upcoming Eat Every Bean and Pea on Your Plate album. A humorous song -- "Baseball Dreams" played for laughs instead of nostalgia.
-- "The Greatest" -- Kenny Rogers. See the comments.
-- "Roll Around" -- Peter Himmelman, off of his My Lemonade Stand CD. A fun, rollicking song about a baseball who retires, then comes back to his calling.

And finally, an artist reviewed here on this very site wrote me to suggest four more songs, including at least one I'm miffed I forgot... the comments in quotes are the artist's, not mine.

-- "Catfish" -- off Bob Dylan's Bootleg Series. I am unfamiliar with this one. But it's Dylan.
-- "Joe DiMaggio’s Done it Again" -– Wilco and Billy Bragg, from their Mermaid Ave Vol. 2
-- "A Dying Cubs Fan’s Last Request" –- Steve Goodman – "Classic, and very funny." See "Talkin' Baseball," above.
-- "Take Me Out to the Ball Game" -- Brave Combo - "two very cool versions... wacky and fun." It's Brave Combo, how could it not be fun?
If any of you have more suggestions (or can point me to a family-friendly soccer song), leave me a comment.

Please Release Me (May 2006 Edition)

An admittedly selective (or perhaps not) list of upcoming children and family music releases:

May 2: Beethoven's Wig 3 (Richard Perlmutter), Eat Every Bean and Pea on Your Plate (Daddy-A-Go-Go)
May 9 (or 16): Catch That Train! (Dan Zanes and Friends)
May 16 (without a doubt): Johnny Cash Children's Album (Johnny Cash, natch)
May 20: Paws, Claws, Scales & Tales (Monty Harper) -- kids' librarians, check out www.ReadingSongs.com for more info
May 23: Folk Playground (Putumayo, Various Artists)

We'll be reviewing many of these CDs in the weeks ahead. We'll be reviewing a whole bunch of other stuff, too, so if the stuff above doesn't tickle your fancy-bone, maybe something else will.

In addition to these releases, we expect new albums from a bunch of Zooglobble favorites, but we'll wait until we hear something more definite before mentioning it. Cautious are we. Talk like Yoda we do sometimes.

V-I-D... E-O-S...

... on the M-O-U-S-E!

Dan Zanes' latest (April 25) newsletter informs us that he filmed videos for 4 songs back in January and that those videos -- "Catch That Train!," "Let's Shake," "Malti," and "Down in the Valley," -- will be airing on Playhouse Disney. They apparently will include singing, dancing, and egg-frying. (I'm down with the first two, unsure of the last.)

The newsletter also notes that the new Catch That Train! CD will be released on May 16. Somebody better tell Amazon, because they still have a May 9 release date listed...

Let me also take this opportunity to note that I'm adding links to Noggin's music videos on the sidebar. Just in case, you know, you need to watch music videos on your tiny computer screen. Playhouse Disney, at this point, is evidently concerned about the long-term effects of squinting on the nation's youth and their parents, as no link is currently available to their videos...

Review: Silly Reflection - Lunch Money

I think the best way to introduce this review is by talking about how much stuff our daughter has. I'm not talking about massive amounts of overblown toys and games. I'm just talking about her stuffed animals, which almost crowd her out of her bed. Or her My Little Ponies, which she decorates with her ponytail holders. Kids' lives are defined as much by objects and things as they are by people -- favorite books, favorite clothes, favorite foods.

Children's music tends to focus on feelings (I'm happy! I'm sad!) or concepts (numbers, letters). But Silly Reflection, the late-2004 debut album from the South Carolina-based trio Lunch Money, draws its inspiration from kids' stuff. Trains ("Caboose"), roller coasters ("Roller Coaster," natch), umbrellas ("Umbrella") -- these are the things that fascinate kids because they've never seen such things before. Singer/songwriter Molly Ledford likes to use similes to describe these things in ways concrete ("I'd like to introduce the caboose / Last in line, red like a stop sign") and a little more abstract ("Umbrella, you're quite the little magic trick / You start off looking like a stick / But with a little rain / You bloom like a flower"). And here is a sampling of the words used on the album: "vamoose," "esprit," "ukelele," "amphibians," and the phrase "thick as thieves." These are not typical kids' music words.

But it's the music that I really dig -- it's very Kill The Moonlight-era Spoon with some Yo La Tengo and Shins mixed in. Wonderful melodies with the barest of instrumentation which make the small musical flourishes -- trumpet and double bass and fingersnaps and handclaps -- stand out that much more. It's hard for me to pick out a favorite song, but I love the way the wistful melody and harmonizing in "I Want A Dog" mixes with the longing lyrics of a child wanting a dog before getting too old (and constantly changing her mind as to the dog's name). All that, and it's wryly amusing, too. ("I look at the paper, but it's really not up to me / I'll just have to hope and look longingly.")

At 22 minutes long, Silly Reflection is short but sweet -- there isn't a bad song on the album. Lyrically, it will hit home most for kids age 3 through 7. But it really is one of those children's music albums you will find yourself playing when the kids aren't around. You can listen to three songs off the album here -- they're fairly representative of the CD, so if you like those, you'll like the rest of the album. You can buy the CD from Lunch Money direct or from the usual online suspects. Highly recommended.

This Week in Random Zooglobble Notes

This week: Baseball, handclaps, mandolins, and parental philosophies. In song! (Dan Zanes only in passing.) Come back and see what I mean.

Also, those Milkshake music videos on PBS Friday? They're now available here. Musically, they sound like typical Milkshake (pop-rock, more pop than rock). Lyrically, they're pretty prescriptive (as one would expect for an Earth-Day-related song). Visually, there's lots of kids and the presence of your favorite (or not) PBS characters. Of the three songs, I think "Washing Machine" is the best...

Song of the Day: Let's Shake - Dan Zanes and Friends

I don't know whether Dan Zanes intended to write a "lead single" for his new album, Catch That Train, but it's got one. "Let's Shake" is infectious, radio- (or at least Noggin-, er, Playhouse Disney-)ready, and not quite like anything else on the CD. Now, that's not a slam on the song, because Zanes' albums invariably sound a little like a Putumayo CD in their wide variety of cultures and musical styles, except that it's all from one artist and his band. But unlike the rest of the album, assiduous in pulling songs from other cultures and times, "Let's Shake" is a little bit of garage rock, sounding very 2006. It sounds similar to "House Party Time" off Zanes' last CD, House Party, except a little faster and even more stripped down. (Or as stripped down as any song with what sounds like a tuba among the instruments can be.)

Lest I be misconstrued, I have nothing against "lead singles." U2's "Vertigo" doesn't sound much like the rest of "How To Dismantle An Atomic Bomb." Doesn't mean that it (or the rest of the CD) isn't a lot of fun.

Unfortunately, the streaming of Catch That Train! at Amazon has stopped, so for the moment you can't hear the whole thing. Go there to hear samples (and note an updated and stepped-up release date of May 9). Go here to see U2's page for the Vertigo single (you'll probably only be able to see/hear snippets).

Reminder: New Milkshake Music Videos

In the off-chance you're home today (or your TiVo has been taken over by your kids), you can see 3 new videos by the kids' music band Milkshake on PBS today. For more details, see this press release or, as I think they still say, check your local listings.

Review: Giddyup! - Buck Howdy

The Virginia-based Buck Howdy bills himself as "The King of Kids' Cowboy Music." While that might sound like an example of "big fish/small pond," his 2005 album Giddyup! does nothing to make someone doubt that claim and might even gain some fans outside the genre.

Let's start with the best-known song, "Baked Beans." It's a silly story about gastrointestinal distress on the range that would grow old very quick if it weren't so expertly crafted. I mean, between listening to the album and satellite radio, I've heard the song 15-20 times at least -- a song about "cutting the cheese", for goodness' sake -- and it's still tolerable. (Which is a good thing, because I'd imagine 5-year-old boys would want to listen to the song 15-20 times. In a row. Every day. For, like, six months.)

That song is tolerable over repeated playings in large part because the musicianship is top-notch. Howdy's small band plays western swing, bluegrass, and traditional country tunes with precision. Howdy has an appealing voice with just enough twang. The album just sounds great.

The album is split evenly between Howdy originals and covers. If you're worried that the whole album is jokey, don't be. With the exception "Baked Beans" and "My Favorite Kind of Bugs," the originals are straightforward cowboy songs (albeit targeted at 6-year-old cowpokes). Some of the covers work well (Jimmy Dean's "Big Bad John"); others, while not bad, left me with a "why bother?" feeling ("Hokey Pokey").

Those of you buying the album for the Trout Fishing in America performances will likely be disappointed, as they don't make much of an impression in their songs ("S'mores," "Giddyup!"). Laurie Berkner's appearance is another matter -- her duet with Howdy on Dale Evans' "Happy Trails" is sweet and makes you wonder where Berkner has been hiding that fabulous voice on her own CDs.

"Happy Trails" is one of my two favorite songs on the album; the other is the last "Bonus Track." To reveal too much about the song would ruin the surprise, so I'll just say that it's a song that will likely amuse the 6-year-olds and possibly make the adults laugh out loud.

Giddyup! is probably best for kids aged 4 through 10. It's available in the usual online and offline suspects. If you want to listen to most of the album (though, sadly, not my two favorite tracks), you can listen to the tracks here. Unless you or your kids have a genetic twang deficiency, you will probably find something to like in the album. Recommended.

You Got Johnny Cash In My Children's Music...

... No, you got children's music in my Johnny Cash!

People, people, people -- compromise is possible in these times of discord and strife. I present to you the Johnny Cash Children's Album.

I hereby admit to being only a casual fan of Mr. Cash's music, but this album intrigues me...

"But I wiped snot on a man in Reno once / Just to watch him cry..."

(No, really, kid, it's a song about trains. You love trains. Let's go watch Thomas.)

We (Also Heart) Cool Moms

Thanks to the ladies at Cool Mom Picks, who along with highlighting Clea and the Lovely Mrs. Davis, recommended this fair blog for children's-related music reviews. Unlike the ladies recommending and being recommended, I am neither cool nor a mom, but nobody's perfect, right? If you're new to the site, welcome. Wander around or start here for a small guide to the site.

(And I never would have known that there are different qualities of glitter. You learn something new every day. Can we get some sort of law mandating the use of higher-quality glitter at birthday parties? Please?)

Song of the Day: Great Big World - Anne Hathaway

(Because "Song-of-the-Whenever-I-Get-Around-To-It" isn't nearly as catchy...)

The Little Red Riding Hood spoof Hoodwinked wasn't a huge hit -- wink-and-you-miss-it, you might say. (In any case, I winked, and I missed it.)

But I've heard "Great Big World" a few times, and it's almost enough to make me want to see the movie. It's the typical "intro" musical song, where a character sets the stage, so to speak, for the events to follow. These seemed to be a lot bigger in the animated Disney musicals of the early 1990s ("Belle" from Beauty and the Beast is the best example, a textbook example really, of how to write one of these tunes.) Lyrically, "Great Big World" talks about just that, an apropos subject for a lead character who I'm assuming is about to walk into the woods. (Without having seen Hoodwinked, I don't know if it sets the stage visually as well as "Belle" does in its movie.)

Sonically, "Great Big World" harkens back to those big bright poppy tunes of the 1960s, with a massive wall of sound, especially on the chorus. But it's Hathaway's delivery that fully sells me on the song. Hathaway has a clear voice that isn't perfect or pitch-corrected to death (at least, it doesn't sound that way to me). And she delivers the lyrics with a slightly sarcastic attitude that makes me smile ("They say that goodies / Make the world / Go round"). The combination of the retro-pop and Hathaway's voice reminds me of the Bangles in their late-80s heyday. Good song all the way 'round.

You can hear a sample of "Great Big World" (and every other track from Hoodwinked's soundtrack here). You can see some Bangles videos, including the sorta "Great Big World"-esque (but not really) "Walk Like an Egyptian" here. (Go on, you know you want to.) And there are hundreds of sites where you can get mp3's from the Beauty and the Beast soundtrack, but you really ought to just see the movie if you haven't already. It's by far my favorite animated Disney musical (excluding those from the wizards at Pixar, of course.) And now, thanks to my daughter, I'm watching it repeatedly once more.

We (Heart) Justin

You don't often get to see your own name and website referenced in an e-mail from a musician you really like. So thank you, Justin Roberts, for the kind words in your recent mailing list note (if you haven't done so yet, you can sign up here).

Regardless of whether you came here because of Justin's e-mail or because of some entirely random internet search, you can get a little overview of the site here. Thanks for stopping by.

Review: Fascinating Creatures - Frances England

I initially approached Frances England's 2006 debut album Fascinating Creature as if I were playing a game of "spot-the-influence." Did I hear Elizabeth Mitchell (who recorded a low-key and lo-fi debut CD a number of years ago)? Did I hear Cat Power or Yo La Tengo, a couple artists England herself cites an influences?

And after a couple spin-throughs, I thought that to play that game was unfair to England, who has recorded one of the most adventurous children's music albums in some time, quite unlike anything out there at the moment.

England wrote all 13 songs on the album and recorded it with her husband's cousin Billy Riggs. Lyrically, England covers the 4-year-old waterfront -- tricycles ("Tricycle"); trains, trucks, boats and airplanes ("Where Do They Go?"); and the fun of a blueberry pancake breakfast ("Blueberry Pancakes") -- without talking down to the listener. These aren't new topics for children's music, but lines like "Tell me where do all the big boats go? / As they crash against the wild, dark sea / With containers stacked both high and low / The captain steers towards land and safety" aren't a typical children's music lyric.

Musically, the first half of the CD is a low-key affair, primarily acoustic guitars and light percussion. But on "Charlie Parker," the middle song on the album, that the album kicks into a higher gear, adding electric guitar and drums. It's a little odd to hear a rock song about jazz greats (albeit with some scat singing), but it works. The next song, "Digging in the Dirt," about gardening (natch), is an even fuzzier rock song. Eventually the CD winds down again, returning to acoustic guitar and England's voice.

Although England's voice reminds me a little bit of the nasally twang of folksinger Iris DeMent (particularly on "Where Do They Go?"), it wasn't until I heard England rock out that I figured out who she reminded me most of -- Tanya Donnelly in her Belly years, alternative rock in which Donnelly's voice was used as another instrument along with the wall of guitar sound. England yodels, yips, and in general provides the musical variation on the simple instrumental backup.

The album isn't perfect -- the mix of instruments on the rock songs sounded a bit muddied to my ears, for example. And England can sometimes try to fit too many syllables into a lyric. (One of my favorite songs on the CD, the closer "Little Bright Star," doesn't do that, and shines -- pun unintended -- for it.)

But that's quibbling. Fascinating Creatures is a good album, a very promising debut. (My wife likes it, and she's a much harsher critic of these kids CDs than I am.) It's probably best for kids age 2 through 7. Right now the CD is available through CD Baby, where you can hear samples of each track.

Finally, the copy I received was attractively packaged in a slimline case and burned on a nicely printed CDR, which may or may not be the version available for purchase. Those of you looking for a more complete package as with CDs from more established artists may be surprised. But what my copy lacked in heft it more than made up for in the feeling that here was something that I could say was the start of something big, like it was a little secret known to only a few. But I don't think this CD or Ms. England will stay secret for long. Recommended.

This Week: Actual Music Reviews!

Lo-fi! Country! Movie soundtracks! And, of course, Dan Zanes!

In the wake of replying to dozens of e-mails while the entire family got sick with various unpleasant ailments, my reviews of music took a back seat this week. But we're feeling better (mostly) and ready to rock this week. (Except when we're not.) Stay tuned, and thanks for reading.

Jamarama Reviews, Part Two

A few weeks back, I searched for some reviews of Jamarama's West Coast swing. An extensive newspaper review turned up nothing, but a few blogs provided a little bit of coverage. Since then, Jamarama had six more dates and completed their spring tour (no further dates have been announced).

The list of reviews on these second set of dates is once again slim and unfortunately none of them are nearly as interesting as, say, a behind-the-scenes view of the tour. Still, one takes what one can get... and, you know, the only one that goes into more detail than "Dan Zanes is awesome" in the midst of a whole bunch of stuff utterly irrelevant to this blog is Fran's review of the Dallas show. Lots of pictures.

I tried, people...

Baby, You Look Faaaaabulous

Ah, yes, late nights at nightclubs. Getting home at 4 AM.

OK, I never really did that, and I get up at 4 AM now to deal with a 9-month-old who's cutting teeth and recovering from a stomach flu simultaneously. But it's always fun to reminisce about the good old days that never were, including going out to discos.

Except now I can. If I, er, live in New York, Philadelphia, Chicago, Boulder, and San Francisco, all of which have hosted or will soon host Baby Loves Disco events.

The concept?

DJs. Discos. Diaper changing stations.

That's right, now you can get loose on the dance floor with your very own kids dancing to (what I assume would include) tunes such as "Love Train," "Boogie Oogie Oogie," and -- why not? -- "Play That Funky Music." [Edit: Here's a sample playlist. None of the above, but "Ring My Bell," "Shake Your Groove Thing," and, yes, "I Will Survive."]

The sensible parent in me says, do we really want 4-year-olds to dance to disco music, which is not always the most child-friendly, lyrically? The fun guy in me says, this sounds like a lot of fun, and I bet my daughter would love it, too, assuming she wasn't too overwhelmed by the sheer visual and audio stimuli.

(Hat tip to the Semi-Official Ralph's World Message Board for the link.)

*****

Today I was also going to post something about Chica-go-go, which a kind reader alerted me to. It had a very Pancake Mountain-like vibe which intrigued me. (It also appeared that half of the Bloodshot Recordings label has appeared on the show.)

But in case of blog-mind-meld, Clea beat me to it, and wrote more than I would've anyway. So go there instead.

DVD Review: All Around the Kitchen! - Dan Zanes and Friends

Let me begin by saying, for the benefit of the newcomers to the site, that I if were trapped on a desert island with an iPod, and could pick just one children and family music artist to listen to (their kids' music only), it would probably be Dan Zanes. In part, this is a matter of material -- he's released 4 kids' albums and another 2 albums easily categorized as family music, so that's 6 albums right there. (Why limit yourself to just a couple albums?) But more importantly, to help me stave off going all Tom Hanks on the volleyball for as long as possible, Zanes' albums are eminently sane, hummable, and hopeful. They're albums I have no problem listening to when the kids are nowhere around.

Which brings us to his 2005 DVD release, All Around the Kitchen!. The DVD is a collection of his videos for Noggin and Sesame Street, along with some concert footage. Let's start with the videos. There are six of them, and by far my favorite is the Sandy Girls' rendition of "Go Down Emmanuel Road," which is an animated video for Sesame Street that shows the numbers one through five to nice anthropomorphic (numero-morphic?) effect. "Hello, Hello" for Noggin, is also animated (looking much like the Zanes/Donald Saaf book on which it's based). The other two Noggin videos are reminiscent of the Laurie Berkner videos -- the band acting goofy in front of a white background with shots of kids acting goofy in front of a white background. The final video, "Wanderin'," consists of concert footage and reminded me most of all those concert-footage videos by hair metal bands in the '80s (think Bon Jovi's "Wanted Dead or Alive"). I doubt my kids will make that association, though... So that's six videos, 15 minutes, and your kids will probably like them.

The concert... well, I liked the concert, filmed at NYC's venerable Knitting Factory club in late 2004. The sound is great. It's well-filmed. But I don't know how much kids will love it. There are a number of crowd reaction shots where the kids are just sitting there, looking sort of like the audience in the Beatles' first Ed Sullivan Show appearance that wasn't crying uncontrollably. They're entranced, but they're not quite sure to make of 5 or 6 people up on stage making such a large sound. And so your kids may have the same reaction. They may get up to move more when Father Goose makes an appearance for the last 3 or 4 songs; in seeing the concert, I have a much better appreciation for what he brings to the band. The concert, then, is 9 songs, 30 minutes, and your kids' mileage may vary.

For those of you looking for an overview of Zanes' kids music, this isn't perfect, because 10 of the 15 songs come from Zanes' first two albums, with just 5 songs from his other four albums. Having said that, he hasn't changed his musical style much, and if you like the music on the DVD, you should definitely check out all his CDs. You can see a couple of his videos, including "Hello, Hello," here. It's a good DVD, but I recommend the videos more than the concert, at least for the kids.

Now... if I had a video iPod, would I choose Dan Zanes or They Might Be Giants? Hmmmmm...

Everything I Haven't Already Said

Tomorrow, I'll get back to the music, but a few more things I wanted to mention.

First, thanks for all the e-mails you've sent and blog comments you've left. I really appreciate all the artist suggestions (some I've heard of, some I haven't), CD submission requests, and compliments on the interview. (I was even somebody's driveway moment!) Please keep them all coming -- even if you don't agree with me, as long as you do it respectfully, I'm not going to delete the comments.

Second, thanks to Melissa Block and NPR for asking me to do the interview. It was really lots of fun, and, yes, I realize how lucky I am to have the opportunity.

Finally, well, let me start this way...

Nobody understands me,
though memmily blitt each day.
Nobody understands me,
but I guess zooglobble that way.

-- from "Nobody Understands Me," by Sandra Boynton and Michael Ford, from Philadelphia Chickens

In my original "Welcome" post from last week, someone left the following comment:

This all confuses me a bit. For me, as a parent, I take pleasure in seeing my child move to and sing with and enjoy music. The idea that I would want to pull my hair out because my child is taking pleasure in music by listening to the same track over and over (music that I perhaps don't enjoy well because, gee-I have 20 years of musical intake on my child) is ridiculous. I have a fear that the current kids music revolution (aka, "you will like it too!") is going to lead to a musically narrow-minded generation. Music programs are being cut across the country, and we have kids listening to hip hop and rock because their parents can't stand music that is really suitable for their ears AND for their development, World instruments, classical instruments, music that allows space to move and express oneself in a way that children should, is all being overshadowed by the notion that parents should like the same music as children who are generations younger than them. Its a silly thought if you ask me. When your child is 20 and listening to music you think is utterly horrible then you can say what you think about their taste. To say you hope to have a kid with better taste in music baffles me. They are kids! Do you also hope they have better taste in fashion? Hairstyle? Coffee? Wine? Let kids be kids and get the basics then develop their tastes. At 4 years old, take pleasure in their pleasure. To do otherwise would be selfish.

Now, when somebody tells you something you agree with (or 90% with) in a tone that suggests that you completely disagree, one wonders if, like Boynton and Ford's narrator, it's the speaker that's the problem.

So at the risk of further not being clear, let me state a few things that I might not have previously made clear here (or in the very tightly-edited 5 minutes on NPR).

1) Kids should listen to a broad range of music, including "world instruments, classical instruments, music that allows space to move and express oneself in a way that children should" -- could not agree more. Just because there aren't many reviews of world music or classical music albums on the website should not be construed as a lack of endorsement on my part for those types of music. We play those CDs for our kids, too, and I play violin and piano for my kids. (That's not even getting into singing, which we do constantly, in varying degrees of tunefulness.) I just don't have the critical vocabulary to talk about many of those CDs constructively. So that's why you're more likely to reviews of children's rock, folk, and pop music here.
2) Parents should take pleasure in seeing their children move to and sing with and enjoy music -- could not agree more. It's hard sometimes for me to turn off the CD player in the car or at home and just sing with my kids. But it's just as important to me that they sing and hear me or my wife sing as it is to hear musicians who are really good at it. And watching my daughter master a song (she's almost got "Do-Re-Mi" from The Sound of Music) or dance goofily gives me a wonderful feeling.
3) "To say you hope to have a kid with better taste in music baffles me." -- Nowhere have I ever said that I wanted a kid to have better taste in music. In fact, I agree with you 100%, and said so just last week. Trying to cultivate in your child a particular taste in music is a fool's errand, in my opinion (to say nothing of its appropriateness).
4) The one place I would disagree with the author is the implication that the parental enjoyment of the music is irrelevant. I firmly believe that it is possible to find age- and developmentally-appropriate music that both parents and children can enjoy (or, at least, that the children can enjoy and the parents will tolerate for long periods of time). I think I've reviewed a number of those CDs here. And I also believe that it is important that kids see their own parents enjoying their own music. If that means slipping in a Wilco or Matthew Sweet CD into the CD changer, so be it.

I mentioned this before, but I do encourage new readers to explore the links on the sidebar to find some different perspectives on children and family music. Devon has similar musical tastes, but has a more pedagogical perspective at Head, Shoulders, Knees, and all that.... Bill also has similar musical tastes, but a much larger CD collection, and plays them on his radio show at Spare the Rock, Spoil the Child. For a slightly more rockist approach, try The Lovely Mrs. Davis Tells You What To Think; for a definitely more rockist approach, try (Sm)All Ages. Plenty of good reading and musical suggestions.

***

OK, enough about me. Tomorrow: Dan Zanes.